First Edition is a 1977 American short documentary film about the Baltimore Sun directed by Helen Whitney. It was nominated for an Academy Award for Best Documentary Short.
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Follow professional climber Sasha DiGiulian as she rises from child prodigy to a champion sport climber, and ultimately makes her mark by taking her talents to the biggest walls on the planet with a series of bold, first female ascents. Confronting both physical and mental obstacles head on, Sasha charts her own course in a sport where a path didn’t exist, enabling her passion to become a viable profession.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.
Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.
Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.
The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
Chantal Akerman investigates the American Deep South through the story of a lynching and grisly murder of an African-American man that took place in Texas in 1998.
"Man in the Sand" is a 1999 music documentary that chronicles the collaboration between Billy Bragg and Wilco, which involved the musicians creating new music to accompany lyrics that were written decades earlier by folk singer Woody Guthrie. The project, which was organized by Woody's daughter Nora, spawned two albums: "Mermaid Avenue," released in 1998, and "Mermaid Avenue Vol. II," released in 2000.
The first in a series of films for the Rural Cinema Scheme in the Orkneys, it records the return to the island of Wyre of Neil Flaws, a farmer, and his family at a time when the drift from the northern isles of the Orkneys was of concern to some Orcadians.
A short piece of film recording general views of Edinburgh's Princes Street in the 1950s.
Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?
A journey through North Russia and Siberia where people have to cope with one of the world’s harshest climates, Zima portrays a reality where the boundary between life and death is so thin that it is sometimes almost nonexistent. In these remote places, civilization constantly fights and embraces nature and its timeless rules and rites. People, animals and nature become elements of a millennial existence cycle where physical and mental endurance are as important as chance and where life and death constantly meet each other.
In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.
Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.
A look at the aftermath of the Sandy Hook massacre where 20 children were murdered at school by a crazed gunman, but lead to no changes in American gun laws.
Strasbourg was home to one of three Reich Universities founded by the Nazis, known as a project close to Hitler's heart. The university, founded in 1941, is infamous for the human experiments performed on KZ prisoners by the professors of the medical faculty. What did its dean, Johannes Stein, grandfather of documentarian Kirsten Esch, know of these crimes?
Oscar nominated documentary short from 1978 about an Indian juvenile reformatory.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
A Very Goth Christmas Story is a horror machinima by Alvin Soprano, set in the world of The Sims 2. The film takes place on Christmas morning in the Goth household shortly after Bella Goth’s mysterious disappearance. It follows Mortimer Goth as he deals with grief, suspicion, and a chilling surprise. On this cold and lonely Christmas, Mortimer wakes up to find a mysterious package left at the front door. With Bella gone and no answers in sight, the gift raises questions — and dread. The story builds tension as Mortimer struggles with loss and the strange presence of Dina Caliente, his mistress. The film’s shocking climax reveals that the package contains Bella’s severed head, sent as a deadly message from Dina, exposing a dark and twisted betrayal within the family.
This film is based on a long-term study of the dreams of chimney sweepers. The most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics support the claim that this film presents one of the dreams that chimney sweepers encounter most frequently.
Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.
A trio of bounty hunters in search of a fugitive find something more horrifying than they can imagine. "Dog The Bounty Hunter meets Invasion of the Body Snatchers" says Terrorhook. "Very entertaining" says Arrow in the Head. "Pulse pounding" says Lightning Bug's Layer. And Horrortalk says "A well-written movie with one hell of a brutal payoff". Starring Guardians of the Galaxy's Tom Proctor.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
In Russia, the attitude to death is paradoxically irrational – we all seem to live forever. Entrepreneur Sergey Yakushin is the only reasonable "madman" who conducted a funeral "revolution" in his native Novosibirsk. Yakushin himself turned around to face death after being diagnosed with late-stage cancer 15 years ago. And they gave me a year of life.
The story continues after the marriage of Yam and Joei when the couple has a beautiful daughter and Yam becomes a strict father who guards his daughter from suitors.
Live from his own theatre on the Wellington Pier in Great Yarmouth! Enjoy over an hour of Jim's hilarious take on life and find out what grows in the sand on Yarmouth beach, why women can't be pilots and find out the secret to getting Chalkie's car started!
Whilst Working on his Magnum Opus, director, editor, writer, and star, Matthew Cavanaugh encounters true loneliness.
The realm of Vengeance and fleshmare is unfolded. Based on Schrödinger's cat experiment, the two tales of kids and a couple paradoxically entwine, blurring the line between reality and mystery.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Christophe, a competitive and ambitious banker, reviews the file of Arthur, a young farmer eager to take over the family farm. Their ambition and an economic system that encourages growth will push them to embark on this project. Everything is destined for change, for a certain evolution, but one that is not always reassuring.
Maurizio is a young journalist who works in a regional television. Luca is his cameraman. Tired of the daily routine imposed on him and of the assignments given by the owners Maurizio, decides to take a cue from reality to 'invent' stories that have a greater grip on the audience. Luca does not agree but Plays along. When their dangerous game seems about to be discovered, Maurizio has a new idea.
Working at a nightclub in Chengdu, a transgender Chinese woman receives an unexpected visit from her cousin informing her that the mother she has brushed aside, has died. As the only "son", she feels obligated to return to her birthplace for the sake of her family, even though she'll have to hide her true self from those that once shared her past.
About the Karabanovs, who continued the work of educator A.S. Makarenko. The 1930s. A tragic accident cut short the life of the Karabanovs' three-year-old son. After what happened, Semyon Afanasyevich and Galina Konstantinovna came to work at an orphanage in the Ukrainian village of Chereshenki. Children from many different places gathered here. The couple devoted all their years to these children, who did not know their parents.
Tulio accepts the mayor's invitation to host his own festival within the Viña Festival, but the rest of the team is very scared by the presence of the famous "Monster" of the festival.
