Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.
Social & External
La première fugueuse (segment 1)
La deuxième fugueuse (segment 1)
(segment 2)
Louis (segment 3)
René (segment 3)
A retelling of the story of France’s iconic but ill-fated queen, Marie Antoinette - from her betrothal and marriage to Louis XVI at fifteen to her reign as queen at nineteen and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".
Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.
A lifetime of loneliness ends when Elise meets a kindred spirit, finally finding understanding and friendship in an unexpected encounter.
Chile, 1976. Carmen heads off to her beach house. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
Anna is persuaded by her boyfriend Paul to move from Berlin to his home town of Imma. What the notorious soccer hater doesn't know, however, is that joining his best friend Steffen's law firm is just a pretext. In reality, Paul and his buddies are there to save the soccer club he co-founded, Eintracht Imma 95, from relegation. Anna soon realizes that the players' wives have nothing to say to their soccer junkies: Artificial turf in the bedroom, Effenberg bedding and weekends on the soccer pitch. When she finds out the real reason for the move, she mobilizes her fellow sufferers to counter-attack after a fierce bout of frustration and challenges Paul and his friends to the ultimate duel on the soccer pitch. The bet is on: women against men. If the women win, soccer is over - and Paul has to go back to Berlin with Anna. Forever. If the men win, there will be no more complaining.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
An anthology of short films inspired by the events of the September 11 World Trade Center attacks.
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A love story for the 90s: Valery falls in love with an identical twin, a virtual reality scientist, and finds she can have a more intimate relationship with him through the computer screen than in person. Or is it really him?
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
A widowed professor living in Paris develops a special relationship with a younger French woman.
A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.
A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.
A high school outcast pays a cheerleader to pose as his girlfriend so he can be considered cool.
Struggling to overcome cycles of betrayal, revenge and violence, the Traoré brothers continue to fight for a brighter future in a seedy Paris suburb.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Henry, a young actor, finds himself involved in a film by cinema superstar, Cédric Rovere. Charmed by his benevolence, feelings hitherto unknown are aroused, while Rovere, intrigued by Henry's dream, lives this shoot as an unexpected gift.
When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.
In the 1960s, a group of friends at an all girls school learn that their school is going to be combined with a nearby all boys school. They concoct a plan to save their school while dealing with everyday problems along the way.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.
Hong Kong action diva Maggie Cheung comes to France when a past-his-prime director casts her in a remake of the silent classic Les Vampires. Clad in a rubber catsuit and unable to speak a word of French, Cheung finds herself adrift in the insanity of the film industry…
Justine, struggles with commitment, listens to old David Bowie covers, and uses her employer’s private MRI machines to make “X-Ray Art” After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her father’s absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.
Three young men - Jacques, Pierre, and Michel - share an apartment in Paris, and have many girlfriends and parties. Once, during a party, a friend of Jacques' tells him he has a quite compromising package to deliver, and asks him if he can leave it discreetly at their place. Jacques agrees and, as he works as a steward, flies away for a one-month trip in Japan, telling Pierre and Michel about the package. Then, one of Jacques' former girlfriends drops a baby before their door, making Pierre and Michel believing it is the package they are waiting for. Their lives are then completely changed.
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
Noumouké, from the suburb of Paris, is about to decide which brother's foot steps to follow - the lawyer student Soulaymaan or the gangster Demba.