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Filmmaker André van der Hout made an intimate film portrait about Dutch musical comedian, poet, thinker and drinker Kees Torn, who stopped performing in 2012.
Jandino Asporaat riffs on the challenges of raising kids and serenades the audience with a rousing rendition of "Sex on Fire" in his comedy show.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Registration of the fourth theatre program by the Dutch comedian Theo Maassen.
In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.
Registration of the second theatre program by the Dutch comedian Paulien Cornelisse.
Stage registration of the seventh comedy special 'Troosten' by the Dutch comedian Jochen Otten. His inability to make his daughter stop crying was the reason for Otten to make this performance about emotions. How can you reach someone's emotions.
Registration of the second comedy special by the Dutch comedian Ronald Goedemondt, about growing up and facing your fears.
Registration of the sixth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.
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