Social & External
Heinz Schmidt
Walter Müller
Josefine Jäger
Johanna Jäger
Patrick Dengler
Lisa Wagner
Max Dresen
Gustav Klatt
Mareike Wolf
Herr Hollenkötter
Frau Hollenkötter
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In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
In a secondary school, a group of students (Maria, Sonia, Paula, Pol and Esteban) form a tight-knit bunch. Axia, a girl obsessed with supernatural issues, leaving them mesmerized and included in the group. For the 50th anniversary of the center, start some work on improving the facilities. Laura, the tutor of the course offers students a work of the institute history. As they investigate they discover that, during the Civil War, there were tunnels collapsed, leaving people buried who were hiding there, including several children. According to information obtained on the Internet, people are buried "appear" killing. Are the "E.S.O. (Hidden supernatural entities "). When they decide to enter the tunnel adventure turns into a nightmare.
The film tells the story of Grace, who is still grappling with the disappearance of her daughter five years earlier, and her husband Lukas, who is trapped in his own helpless grief. He and Grace have long since stopped communicating. As Grace confronts a series of small absurdities in her apartment building, Lukas finds himself unable to complete even the simplest of daily tasks. When something truly heartbreaking happens in a family, the deepest response is often unspoken.
Early 20th century film footage of Japan.
A part time retail worker makes a desperate attempt to make ends meet and meets her demise: by selling leggings. Underpaind, overworked, working poor retail worker Missy Engle thinks she found an answer to her money problems when a leggings saleswoman Susan enters her life.
Trailblazing double bassist Orin O'Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.
A woman is found dead and three other women, incarcerated at a psychiatric hospital. The body belonged to the wife of the hospital President, Dr. Kiriyama who has gone missing since the day of the murder. As Detective Hayashida and his partner start to investigate the case and interview the women linked to the victim, they soon find themselves tangled in a web of the women’s lies and deceptions.
A movie based on the novel of Ward Ruyslinck.
While searching for oil in the deadly swamplands of the Florida Everglades, members of a geological expedition meet an insane doctor who is working on an experiment to create a creature that is part man and part alligator.
Paul Schmidt sent me a set of five poems from a series called WAR SONGS. He treats the war in a brilliant and sarcastic way, evokes his seduction. Mark Bennett's score is itself provocative, languorous, and close to a waltz. The whole thing is a series of songs cast in the mode of melodrama, that is to say music in tandem with a narration. My contribution lies in the superimposition of war scenes, coupled with what I called an image of Gabriel: a young and handsome soldier, a personification of the good warrior, a protective image. He gives off strong impressions throughout the duration of the film. She makes him appear sometimes active and aggressive, sometimes asleep or beckoning. The film uses footage from the Vietnam War and World War II. They show soldiers marching, tanks rolling. Explosions reveal in passing our dear “Gabriel”.
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
Adelaide takes possession of an island in the Pacific inherited from her deceased husband. She is opposed by the chieftain and a convict. To get the island's citizenship she tries to marry the convict, but he prefers to turn himself in.