Social & External
Raimund Brandstätter
Elisabeth Brandstätter
Mona Leitgeb
Alexis Willschrei
Pfarrer Haslwanter
Huber Karl
Mecklenburg, 19th century. For generations, the Brand family of farmers has worked a piece of land as tenants of the baron, who owns almost all of the village's land. The baron himself comes from a family of farmers who became rich through corruption and were ennobled. He is the absolute potentate, no one dares to contradict him, he takes what he wants and stops at nothing in his excesses. At the same time, he is the center of petty bourgeois, bigoted social life. Johann, the stable boy, wants to marry Mariken Brand and asks the baron for a piece of land so that he can build a life of his own. But the lord is harsh, not only refusing him the land, but also increasing the rent. Johann rebels, trying to rouse the farmers in the village from their lethargy—in vain. Only when Mariken dies does the mood change. A peasant uprising breaks out, and Johann kills the baron.
After years of being sheltered from the human world, the Turtle brothers set out to win the hearts of New Yorkers and be accepted as normal teenagers through heroic acts. Their new friend April O'Neil helps them take on a mysterious crime syndicate, but they soon get in over their heads when an army of mutants is unleashed upon them.
Two emotionally unavailable men attempt a relationship.
A young woman copes with her sister’s death by leaving her voicemails chronicling her chaotic life in San Francisco. When the number is unknowingly reassigned, an elusive Austin real estate agent begins receiving the hilariously confessional messages.
According to what his father, Farman who is a powerful man of his times, always wants, Fereydoon is grown up as a gentle young boy. However, his relatives call him a ‘baby dandy’, so that his uncle does not consent to marry Shirin, his daughter, to Fereydoon. His uncle is waiting for Ismael to be released from the prison, then he would get his daughter married to him; although this is against Shirin’s wish. Under such a condition, there remains only one choice for Fereydoon, and that is to turn himself to a ‘ruffian’. By pretending to be a ruffian, Fereydoon successfully overcomes his sinister competitor and marries his beloved girl.
Alma, Jean and Sebastiano, the children of divorced parents, arrive in Rome from Paris on a visit to their father. During a holiday, the family’s tensions come to the surface.
The son-in-law with the mother-in-law, teachers from the border town, go to Finland to buy a sofa. On the way back, the son-in-law is waiting for difficulties that he had no idea about.
Popper, a sexy detective, is in charge of finding out about the magic box. For this reason, he goes to Hawaii where he meets Jasmine, an exotic painter.
The magic box is finally destroyed.
A young pick-pocket meets a sheltered teenage girl at an art museum while trying to lift her wallet. He falls in love with her and lures her to deserted strip of beach where he pretends his stolen motorbike has broken down and they are stranded. An unlikely romance follows.
London has become enthralled by the antics of the contemporary Robin Hood, but when a band of bad guys start framing him for their misdeeds, the hero has to catch the criminals and clear his name.
Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!
Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.
This love story is disguised as a road drama and a crime story with all the twists and turns along the way. Aptly directed by Shi Runjiu, with engaging cinematography that matches the feel of the story, All The Way involves many stories of many people surrounding one goal—find the guy who’s got the goods.
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