The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.
Social & External
The people behind it
Pierre Prothon
Jean / Narrator
Marie Decaître
Jean's Mother
Jean Pélégri
Jean's Father
Huguette Poggi
Cousin Louise
Said Achaibou
Saïd
Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Two tigers are separated as cubs and taken into captivity, only to be reunited years later as enemies by an explorer (Pearce) who inadvertently forces them to fight each other.
27 years after 1962, Antoine returns to Algiers...
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
Brothers Beau, John and Digby Geste join the Foreign Legion, where they fall under the rule of tyrannical Sergeant Markoff. Beau and John are assigned to Fort Zinderneuf, where Markoff tries to break their spirit, aware of a dark family secret concerning a fabulous jewel one of them carries. As tensions rise, Arabs attack the fort and rivalries must be thrown aside in a desperate battle for life.
During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.
In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.
1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.
Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.
In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.
As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.
Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.
Directed by Kamal Dehane
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
A woman has a close bond with her beloved Algerian grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
Aissa, a young officer of Algerian origin, tragically loses his life during a fresher initiation ritual at the prestigious French military academy of Saint-Cyr. As the death tears through his family, controversy arises over Aissa’s funeral plans when the Army refuses to take responsibility. Ismael, his older, rebellious brother, tries to keep the family united as they fight to win justice for Aissa.
Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.
In the midst of a volatile regime change in a Francophone African state, Maria Vial is fighting to sustain her family’s coffee plantation. With rebels and the army struggling for control, French peacekeeping forces move out, warning the remaining white residents that they’re on their own. But Maria refuses to be driven off the land, even as tragedy looms.
1943. They have never stepped foot on French soil but because France was at war, Said, Abdelkader, Messaoud and Yassir enlist in the French Army, along with 130,000 other “indigenous” soldiers, to liberate the “fatherland” from the Nazi enemy. Heroes that history has forgotten...
When Colonel Chabert returns from the war, he discovers that he has lost everything.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.
A drama following a French platoon during Algeria's war of independence.
In the snowy seaside town of Sokcho, 25-year-old Soo-Ha works at a guesthouse. She drifts between her mother’s fish stall and her boyfriend until a French artist’s arrival stirs questions about her identity. As winter deepens, Soo-Ha and the artist form an unspoken connection through food and art.
In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.
A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.
In 1815, young Jacquou lives an idyllic peasant life with his parents in the Périgord region of France. But one day, his childhood happiness is cruelly ended when his father is arrested, after a dispute with the arrogant Count de Nansac. With both his parents dead, Jacquou is adopted by Bonal, a kind priest, under whose influence he grows into an assured, morally upright young man. Now an adult, Jacquou has one desire. To repay the Count de Nansac for the evil he once inflicted on his parents...
In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.
After the death of their father, two half-brothers find themselves on opposite sides of an escalating conflict with tragic consequences.
It is based on upon the memoir Mémoires d'un agent secret de la France libre et La Ligne de démarcation by Gilbert Renault under his pseudonym Colonel Rémy. A small village in the Jura is split by the river Loue which creates the line of demarcation between Nazi occupied France and freedom. A French officer, Pierre, is released by the Nazi soldiers to find his chateau converted into a German command centre. Whilst he is obliged to co-operate with the enemy, his wife Mary supports the resistance movement and is willing to risk her life for it. The Nazis step up their activity against the resistance, insisting that any who attempt to cross the line of demarcation will be shot. When his wife is arrested, Pierre decides to switch his allegiance.
By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.