Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
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Theo Maassen
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LIVE; THEATERSEIZOEN '82/'84: 'Urbanus Live' werd in opdracht van Urbanus Nederland opgenomen tijdens twee uitverkochte voorstellingen in de Agnietenhof van Tiel op 4 en 5 februari 1983. Deze opnamen werden samengevat voor televisie en uitgezonden door de Vara in 1983 en in 1984. Dit is de volledige, ongeknipte versie van deze twee succesvolle uitzendingen via Vara en tevens een aardige weergave van het theaterseizoen 1982-1983 in Nederland en 1983-1984 in België. IN 'T ECHT: Deze theatershow van Urbanus was een ware triomf in de Belgische- en Nederlandse theaters, waarbij records sneuvelden wat bezoekersaantallen betreft. In Nederland werden ruim 200 voorstellingen gegeven, waarvan drie shows in Carré in Amsterdam. Geen enkele buitenlandse artiest deed hem dit na. In Vlaanderen was het niet anders. In alle grote theaters vonden meer dan twee voorstellingen plaats en Antwerpen leverde een record op van meer dan 15.000 bezoekers.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
The First One Woman Show from The Netherlands nr. 1 Female Comedian Tineke Schouten.
Registration of the fourth theatre program by the Dutch comedian Pieter Derks.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.
Stage registration of the comedy special from 2018 by the Dutch comedian Patrick Nederkoorn. Nederkoorn tells about his political career. What inspired him to become a councilor one day. What abject views has he defended? What empty words did he utter? How can you lose yourself in something you believe in so much and then find yourself again?
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Xander De Rycke has had enough. Comedian Xander De Rycke has a new project. The creator of the popular podcast "Mosselen om half twee" (Mussels at half past one) is releasing a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Adam Sandler hits the stage for a thrillingly unpredictable comedy special featuring songs, jokes, party-crashing dogs and plenty of love.
Ricky Gervais dishes out controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity.
With his signature pitch-black sense of humor, Ricky Gervais takes the stage at the London Palladium in this provocative stand-up comedy special.
In what might be his most personal and introspective hour yet, Bill offers hilarious takes on everything from male sadness to dating advice.
Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.
Richard Pryor delivers monologues on race, sex, family and his favorite target—himself, live at the Terrace Theatre in Long Beach, California.
In a rowdy stand-up set, Shane Gillis riffs on his girlfriend's Navy SEAL ex, touring George Washington's house and being bullied by an Australian Goth.
Hawaiian-shirt enthusiast Gabriel "Fluffy" Iglesias finds the laughs in racist gift baskets, Prius-driving cops and all-female taco trucks.
Jimmy Carr refutes the idea that you can't joke about anything these days with his edgy takes on gun control, religion, cancel culture and consent.
Chris Rock delivers an electric stand-up set on non-racist yoga pants, spoiling his kids, the Kardashians and his thoughts on the Will Smith fiasco.
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.
86-year-old Irving Zisman is on a journey across America with the most unlikely companion: his 8 year-old grandson, Billy.
Three manic idiots—a lawyer, a cab driver and a handyman—team up to run a ballet company to fulfil the will of a millionaire. Stooge-like antics result as the trio try to outwit the rich widow and her scheming big-shot lawyer, who also wants to run the ballet.
Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.
An up-and-coming stand-up comic moves to L.A. to pursue a film career after video clips of his act make him an online sensation.
Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.
A commitment-phobic 27-year old’s relationship is put to the test when she and her boyfriend attend 7 weddings in the same year.
Dave Chappelle takes on gun culture, the opioid crisis and the tidal wave of celebrity scandals in this defiant stand-up special.
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.