A documentary on the making of Frank Henenlotter's Basket Case trilogy.
Social & External
Self
Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.
Richard Dreyfuss hosts a celebration of the 80 year history of Universal Studios. Founded as IMP by Carl Leammle to oppose Edison's Motion Picture Tust, it soon grew under the leadership of 21 year old production head Irving Thalberg with classic silents from artists like John Ford, Erich Von Stroheim, and Lon Chaney and prospered further in the Sound Era under the leadership of Carl Leammle Jr. with such classics as "All Quiet on The Western Front," "Showboat," and the studio's signature monster franchises, "Frankenstein" and "Dracula."
This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”
A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
Follow the animated journey of an Indigenous photographer as she travels through time. The oral and written history of her family reveals the story — we witness the impact and legacy of the railways, the slaughter of the buffalo and colonial land policies.
To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema's most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back - an uniquely human story about one of cinema's most vicious monsters.
El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
A tribute to stopmotion supremo and special effects genius extraordinaire Ray Harryhausen, the man behind some of cinema's greatest fantasy films - The Beast From 20,000 Fathoms, The Seventh Voyage of Sinbad, Jason & The Argonauts and One Million Years BC. Featuring exclusive footage of Harryhausen at work on his first stopmotion for over 20 years, and contributions from many of Hollywood's top special effects directors and creators.
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
Documentary about the making of the 1983 thriller "Cujo"
For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
Making of documentary from the Ultra HD Blu-ray edition of Henry: Portrait of a Serial Killer released on the movie's 30th anniversary.
Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.
Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.
A look at the works and life of the late, great Don Dohler.
A documentary about the making of the movie "Dragonwyck"
In the Shadow of the Pines is an animated short documentary about a difficult father-daughter relationship. Drawing on childhood memories, Anne Koizumi, the filmmaker, explores her upbringing with her Japanese immigrant dad, who was also the janitor at the elementary school she attended. The film explores the idea of shame and how it can shape and define us while also concealing who we can truly become.
