Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
Social & External
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
Various life performances by Japanese Noise acts: Aube - Low Spin Drift / Incapacitants - Live At 20000V / Dislocation - Writing And Masturbation / Masonna - Live At Bears And La Mama / Seed Mouth - Twilight City / Violent Onsen Geisha - Night Of Unlcean Water / Solmania - Live At Living Room / Merzbow - Piss For Yves Klein / C.C.C.C. - Loud Sounds Dopa / Hijokaidan - Live At La Mama.
Don't ask me why, but I feel we're about to cry trying.
"My last image of Jonas."—Ken Jacobs
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
Your raging romp results only in rescinded regret @ the hands of radder cadets.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.
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The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Beyond all human restraint lies one's lugubrious layers of paint.
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Life drums the playfulness out of a boy as he grows up.
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