The Mikado

In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Opera Australia production filmed at The Arts Centre Melbourne.

A Little Princess

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.

Done In

A man writes a goodbye to the world as he calls upon memories of life in a beautiful country manor.

Morvern Callar

After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.

Santa Sangre

A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

Maborosi

A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.

Italka v Alžíru

Hajduk in Belgrade

In the 1980s, a boy named Hajduk moves with his family from a small village to the capitol of Yugoslavia, where he's going to start spreading his way of honor and true values.

Richard Wagner: Tannhäuser

Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Roman Trekel (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.

Phantom

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

The Invisible Circus

After learning that her sister, Faith, has committed suicide in Portugal, Phoebe, an 18-year-old hippie, decides to uproot from her San Francisco home to travel to Europe. Phoebe hopes to discover and experience the life that led to her sister's death by retracing her footsteps, which eventually leads to Wolf -- Faith's boyfriend. However, as Phoebe's journey continues, a series of visions of Faith pushes her mind to the brink.

The Accidental Prime Minister

Based on the memoir by Indian policy analyst Sanjaya Baru, The Accidental Prime Minister explores Manmohan Singh's tenure as the Prime Minister of India, and the kind of control he had over his cabinet and the country.

The Track

A successful doctor comes into conflict with his friends and family and is slowly driven towards suicide.

La Finta Giardiniera

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

Day Zero

The military draft is back. Three best friends are drafted and given 30 days to report for duty. In that time they're forced to confront everything they believe about courage, duty, love, friendship and honor. If called to serve, what would you do?

Midsummer

It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.

Frank and Ava

A destitute Frank Sinatra pursues sultry starlet Ava Gardner while campaigning for the lead in 'From Here to Eternity'.

Face to Face

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

Stolen

A young woman struggles to defend her Sámi heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation.

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…