Rebellious City is a documentary about the Provo movement and the city of Amsterdam in the sixties.
Social & External
Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
Nigella returns for a very special Christmas treat when she travels to Amsterdam to enjoy the festive season in the Venice of the North.
The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.
In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.
UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.
A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
Amsterdam's world-famous red-light district is the fascinating backdrop to the story of plucky prostitute Lina as she searches for Mr Right. Lina thinks she has found true love with American punter Sean, but she may be treading a fine line between fantasy and reality. Could Sean be her Prince Charming or will she end up heartbroken? With hard-won access to this notoriously secretive, hidden world, Sexwork, Love & Mr Right will be a revealing and thought-provoking documentary with multiple supporting narratives from experienced punters to wise madams. As streetwise sexworker Lina navigates the highs and lows of her precarious new relationship, the film asks can sexworkers ever really find true love?
This Traveltalks entry looks at the sights, sounds, people, and art masterpieces in the capital of the Netherlands.
BEPPIE is a moving and disarming portrait of an Amsterdam street urchin. Van der Keuken once described her as follows: 'She was ten years old and the joy of the Achtergracht, where I was living at the time. An Amsterdam child, sweet and crooked as a corkscrew.' He films her while she skims the city with some friends and knocks at strangers' doors. Her family has nine children and is not well off. In those days, a visit to the De Miranda swimming pool cost a quarter, but only ten cents if the weather was bad. At school, Beppie gets a poor mark because she is too boisterous, but when the whole class rattles off the multiplication tables, she joins in at the top of her voice. All of TV-watching Holland was wildly enthusiastic about this portrait, with which Van der Keuken even made the front page of the national newspaper De Telegraaf.
Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.
At the end of 2003 the main building of the Amsterdam Rijksmuseum has closed, in the words of managing director Ronald de Leeuw, becoming 'the most conceivable art museum'. The Spanish architects Cruz and Ortiz signed for the big design; in 2008 the modernized museum would open with a pioneering museum concept. Moviemaker Hoogendijk followed the first four years of what is called the biggest Dutch cultural operation in history.
Republic of Finland is promoting clean technology by organizing Green Mining seminars where foreign experts tell us how the development of the world is becoming increasingly expensive by 2050. The Earth is running out of resources and mining companies have to use increasingly low-grade metal deposits. Finland aims to be a model country for environmentally friendly mining. Its pioneer project is Talvivaara, which uses new biotechnology to extract nickel, zinc and uranium. Through several charismatic characters, the documentary film The Land Of Mine follows the rise of the biggest nickel mine in Western Europe and the ensuing disasters whose effects continue to reverberate in the nation.
OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.
In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
Bas Jan Ader rides his bike into a canal in Amsterdam.
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