First Day in the Grave

A student movie loosely based on the short story by Sadegh Chubak

Every Wall is a Door

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Chelsea Girls

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Superstar: The Karen Carpenter Story

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Mary, Mary, So Contrary

Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film weaves a phantasmagoric narrative of a Chinese lady named Ma Li who dreams she is a Caucasian named Mary.

Bear

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Monday or Tuesday

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

Kaya

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.

6-18-67

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Les hommes sans gravité

Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Sebastian and Jonas Leaving the Party

"My last image of Jonas."—Ken Jacobs

Smiles

A short film by John G. Avildsen.

What Was It Supposed to Be Like?

Rather pointless, rather stilted, fetid; not what we want us going after.

Xenoi

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

On the Various Nature of Things

Trapline

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

Confession

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

A Movie Made of

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

Letter in Motion to Gilles Jacob and Thierry Fremaux

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.