This film was made on the occasion of the celebration of the 20th anniversary of the Ilinden (St. Ellias Day) Rebellion. This panoramic film depicts the most significant historic figures and places situated in the Aegian, Pirin and Vardar regions.
Social & External
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.
A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.
Documentary about the making of Buster Keaton's silent comedy classic, Sherlock Jr. (1924).
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
This is yet another telling of the adventures of Tom Sawyer and Huckleberry Finn as the two try to clear their friend Jim of murder charges.
A terrorist group invades a laboratory containing a deadly bacteria and destroys the lab with an explosion. They later announce via the internet they have gained possession of the bacteria and declare themselves to be the Red Siamese Cats, a terrorist group that was eradicated a decade ago.
While people's artist of the USSR Sergey Cherkassky "fights" with the role of king Lear, trying to understand the psychology and actions of Shakespeare's character, his own large family presents him with one riddle after another. His daughter Elena, who broke off her unsuccessful marriage, falls in love with rock musician Dean Makarov. The grandfather does not know that the son of his late daughter - in-law Sonia is gay, who is madly in love with the same Dean. All Sonya's daughter, Lala, "twists" the love with a student Vakhtangov school, the future actor Misha, but dreams of a luxurious life abroad. Son of Sergei Andreevich, father of Vitya and Lyali - Andrey - General, Hero of Russia, serving in Chechnya.
Set 15 years after "Twentieth Century Boys," Kanna (Airi Taira) reunites with several main characters from the first film in an attempt to stop Friend's increasing influence over the world and continued plans to eliminate humanity, as detailed in the New Book of Prophecy.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
At the amateur talent show the boy, accompanying himself on the accordion, sings a song about Moscow... The plot of the movie is based on the story of the director of the school about how this accordion, once belonging to a cadre worker who died during a demonstration in 1905, has been in many hands before it got to the guys.
A grieving young inventor finds solace in repairing an antique typewriter.
Savino La Gastra discovers his wife Celeste has a liaison with an architect: Andrea. Even if also Savino has a story with Elvira, a judge's wife, he decides anyway to ask to a mobster to kill his wife. In the mean time Celeste is organizing a surprise party for Savino's birthday, and that day things start to get complicated. First Savino kills accidentally the mafia killer in charge to kill Celeste; second his lover Elvira arrives to the party with the judge... not to mention the police and the mafia Don...
While Yeung Kam Wing is trying to remove all connections between the mob and him, his actions are being carefully observed by Lau Kin Ming, who bears a personal grudge against him.
Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.
The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
A 3-way collaboration between Kamiusagi Rope, Boruto: Naruto Next Generations, and TOHO Cinemas. The purpose is to promote a new TOHO theater opening up in Ueno on November 4, 2017. The collaboration video will also be available to view in TOHO Cinemas in Tokyo, Kanagawa, Chiba, and Saitama from Ocotober 21 - December 1.
Second part of the film "Sorry if I love you". Alex (Raoul Bova) and Niki (Michela Quattrociocche) are more in love than ever. They have just returned from the lighthouse on the island Blu where they have lived unforgettable days. Niki returns to see his friends, but a number of important changes in their lives will test the friendship of the girls. Alex also resume life with his old friends. All of them, Flavio, Enrico and Pietro, are no longer serene and safe husbands due to certain difficulties that have compromised their marriages.
A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.
The third part of Seventh Company adventures.
Foo Fighters captured over their two sold-out nights at Wembley on 6th and 7th June, 2008.
Photographs by my father Giacomo Mazzola and a video depicting Sironi’s painting Mountains: a gesture of remembrance in three chapters.