The Photo (Persian: عکس) is a 2001 Iranian drama film Written and directed by Hossein Shahabi
Social & External
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A young toymaker tries to make sense of the impermanence of life that he has been forced to acknowledge through experiences of separation and death.
A young couple have problems in their marriage.
Five psychological thrilling tales about the emotions that can destroy our souls: despair, temptation, guilt, doubt and anger. Which one has the worst consequence?
In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.
Revenge may have irreversible consequences.
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Leyla and her six-year-old daughter Nila live in the holy city of Mashhad in Iran. Nila is the result of a temporary marriage, which allows a man to marry a woman even if he is already married. Children born from such a relationship are legally non-existent. As long as the father does not recognize the child, no birth certificate can be issued and Nila cannot attend school. The documentary depicts Leyla's tireless efforts to clarify Nila's legal status in order to offer her a perspective for her future. In a never-ending bureaucratic battle, Leyla fights not only against the legal system, but also against a judgmental society.
A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
An Iranian boy befriends an old Japanese woman at a graveyard in Tokyo.
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
A woman attempts to obtain the consent of the victim's family to release her husband from the death penalty, meanwhile, the husband is suffering from brain death.
After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.
For forty years, Esfandiar has been unconcernedly preparing corpses for the journey to their final resting place. One day, whilst preparing a burial service, he's taken ill. Might he too be mortal?
Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.
On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Rain Tree (Persian: درخت بارانی) is a 2001 Iranian drama film Written and directed by Hossein Shahabi.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Like O'Henry's Tainted Tenner this 10 peso note, found on a sink in a men's room passes from hand to hand through many lives.
Scooby-Doo and the mystery inc gang battle fiends and gobs of eerie monsters.
Are we born criminal or we became one ?
Classic swordplay movie with some crazy monkey fighters.
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Hans, a young journeyman violin maker, meets and falls in love with Christel. But he has to go to Milan for a year. Before he leaves, the two get engaged. Christel's mother, who is against the union, intercepts Hans' letters from Italy.
Every week, 10 elderly gays gather in a room lighten by neon lights in the LGBT Center of Tel-Aviv. Being part of a community that sanctifies youth, this intimate space is these old gays last and only shelter, where they can age and deal with aging openly: from sexuality and body image at old age, to loneliness and to the member's condition as widowers, divorcees and-or grandparents. Instead of the typical sociological and biographical documentation, the movie follows these witty seniors and their funny dialogues in the room and gives a humoristic glimpse to the ruthless process of aging.
An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.
A Dutch family on their last full day of their camping holiday in France. On the moment that nobody wants to join father Aad on the traditional hiking tour, everybody experiences their own adventure.
A single, unaccomplished Zulu woman feels family pressure to find Mr. Right before she turns 40, in the pitiless concrete jungle that is Jo’burg.
Spring is in the air and Puck and Einar, as well as Christer Wijk are invited to a wedding in Skoga. The day before the wedding, the bride-to-be enters a flower-shop in order to inspect her bridal bouquet of lily of the valley, but suddenly vanishes without at trace. When she eventually turns up again, it is Christer who finds her. She lies dead outside her home with a bouquet of lily of the valley in her hand. Everybody close to the bride are suspects, not least her best friend, whom Christer has just begun flirting with. Everybody seems to have something to hide. Question is: are their secrets connected to the murder?
A Russian investigator and a Buryat policeman are investigating the murder of a truth-seeking huntsman in the Baikal taiga.
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
A mother fights to protect her son and his oxygen cylinder as they get stuck in a tunnel with other passengers and the oxygen level depleting
8mm film by Swiss artist Roman Signer.