"Copenhagen Ring Cycle 2006. Der Ring des Nibelungen: Dritter Tag - Götterdämmerung."
Day 3 of the Ring Cycle. DVD release June 2009.
Social & External
The people behind it
Stig Fogh Andersen
Siegfried
Sten Byriel
Alberich
Peter Klaveness
Hagen
Iréne Theorin
Brünnhilde
Ylva Kihlberg
Gutrune
Annette Bod
Waltraute
Elisabeth Meyer-Topsøe
Wellgunde
Djina Mai-Mai
Woglinde
Ulla Kudsk Jensen
Flosshilde
Susanne Resmark
First Norn
Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.
Live performance from the Opéra National de Paris, 2003.
Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.
From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
Live performance at the Metropolitan Opera in 2000.
A masterpiece of bel canto at the Teatro Real in Madrid: conductor José Miguel Pérez-Sierra and director David McVicar take on Donizetti’s Maria Stuarda, with Lisette Oropesa in the title role.
Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.
a film opera; music by: Gaetano Donizetti (Philharmonic Orchestra of Rome) Directed by Giuseppe Zedda.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.
This film follows the remarkable and inspirational true story of Paul Potts, a shy, bullied shop assistant by day and an amateur opera singer by night.
Michael Kamen conducts the San Francisco Symphony Orchestra in support of metal rockers Metallica in this 1999 concert performance.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
With unprecedented access to the official archives and intimate recollections from the band, both current and past, Iron Maiden: Burning Ambition invites fans to experience one of the most iconic journeys in music history. Spanning five decades, this electrifying documentary charts the band’s rise from the pubs of East London to the world’s biggest stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden’s uncompromising vision and unwavering connection with their truly global army of fans.
Celebrating the 30 year anniversary of Michael Jackson's solo career, this legendary performance took place on September 10, 2001.
Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.
Filmed in front of 76,000 fans at the ANZ Stadium in Sydney, Australia, "The 1989 World Tour Live" captures Taylor Swift's entire performance while also mixing in behind-the-scene, rehearsal, and special guest footage from her 1989 Tour.
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
Where We Are: Live from San Siro Stadium features the entire 23 track concert filmed at San Siro Stadium in Milan in June 2014, as well as 24 minutes of bonus content including backstage footage of One Direction and their crew.
The brothers Gibb perform their greatest hits from the 60's, 70's, 80's and 90's including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves.
A backstage and on-stage look at Justin Bieber during his rise to super stardom.
A shy teenager living on the Isle of Wight dreams of pop stardom. With the help of an unlikely mentor, she enters a singing competition that will test her integrity, talent, and ambition.
The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire),
A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
Darrin Hill, a slick-talking but down-on- his-luck NYC advertising exec, returns to his hometown in Georgia to claim the inheritance his aunt left him. But before Darrin can collect the money, he must fulfill his aunt's final wish -- to create a local choir.
A concert film documenting Taylor Swift's record-breaking Eras Tour (2023-2024). Filmed during the Los Angeles shows, the film captures the tour's ten acts, each representing a different musical era from Swift's career. The film showcases over 40 songs, elaborate stage productions, and Swift's performance.
