Experimental film by Claudio Caldini
Social & External
A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
This is an experimental film featuring an allegorical audiovisual symphony of image, text (excerpts from works by Proust and verses from Rilke’s poetry) and music through the use of archival photographs taken from Illustration Magazine. It focuses on the urban establishment and links the wave of Western colonization to the period right before the Great War (1914-1918).
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.
Dialogue-free short detailing the daily tasks of a man and his wife.
A personal, subjective journey into the mind of Greta Thunberg, before realizing her calling as a climate activist. While struggling with mental health issues and bullying because of her Aspergers, she also grapples with the sense of impending doom due to the climate crisis. These same struggles and fears drive her to make change and become the person she is today.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
An amateur stand-up comedian seeks company online after the bar closes on a winter's night, but fails to connect with her surroundings and herself.
Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.
A bohemian painter named Artist and a guitarist named James meet at a concert and have an instant connection. They start a philosophical discussion at her apartment, but they are interrupted by strange occurrences which reveal they are no longer in reality but an ominous dream world. Both Artist and James are confronted by characters and situations from their past, and they must work together to put the memory pieces together and escape to reality, if they can.
A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.
It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
BOSTON FIRE finds grandeur in smoke rising eloquently from a city blaze. Billowing puffs of darkness blend with fountains of water streaming in from offscreen to orchestrate a play of primal elements. The beautiful texture of the smoke coupled with the isolation from the source of the fire erases the destructive impact of the event. The camera, lost in the immense dark clouds, produces images for meditation removed from the causes or consequences of the scene. The tiny firemen, seen as distant silhouettes, gaze in awe, helpless before nature’s power.
Haunted by Italo Calvino’s books and the land art of Robert Smitson, this audiovisual trip takes us through the volcanic landscape of Lanzarote. The excursion is used as a background to raise questions about art and mathematics, and whether they generate form in the same way as nature’s creative eruptions.
On a seemingly normal evening, a young girl has the misfortune of encountering the wrong people. For her, this turns into a nightmare in which she is not even sure if she will survive the night...
An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.
Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".
The rich, aristocratic Katarina Hassel have an architect renovate her mansion. Katarina fall in love with the young architect, Gunnar Stenwall. Alas, he doesn't fall in love with her. But perhaps if Gunnar would meet her identical sister, who works in Stockholm as a waitress, he would fall in love with her instead? So Katarina travels to Stockholm to act as her non-existing sister.
Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.
The movie will be based on the Plaid Hat tabletop game, created by Jerry Hawthorne, which is a role-playing adventure following players loyal to the king who are imprisoned in a seaside castle and turned into mice by the evil Vanestra. They must fight their way out of the castle as they face dangerous foes including rats, cockroaches, spiders and the castle’s house cat, Brodie.
Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.
Larry Wessel short film
Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.
Moira Brooker and Philip Bretherton (Judith and Alastair from As Time Goes By (1992)) host this behind-the-scenes look at the work of the writers behind many of our favorite "Britcoms" (British situation comedies), revealing how their ideas make it to the screen.
Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)
