Nègres Ashantis: Toilette d'un negrillon II

A woman from the Ashanti tribe bathes her child in a shallow bowl.

Barrage du Nil

Travellers, nomads and salesmen make their way along a dam next to the Nile.

Three American Beauties

In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.

Exploded Gas Tanks, U.S. Mint, Emporium and Spreckels' Bldg.

The camera scrolls through a landscape to reveal the aftermath of a huge gas explosion.

Palace of Electricity

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

Panorama of Eiffel Tower

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

Embarquement d'un bœuf à bord d'un navire

Bird's-Eye View of San Francisco, Cal., from a Balloon

Taken while ascending some 2,000 yards into the clouds, and represents a most diversified view of the city of San Francisco, the Golden Gate, Pacific Ocean, and surrounding country for miles. The huge balloon from which this picture was taken is 75 feet in diameter, 250 feet in circumference and about 105 feet high, and it requires some 150,000 feet of gas to raise it from the ground.

Panorama of Gorge Railway

“One of the most interesting places in the vicinity of Niagara Falls is the Whirlpool Rapids, where the immense volume of water which passes from the Falls, speeds along through its rocky and tortuous passage towards the ocean. The camera in securing this picture was placed at the front end of a train ascending the grade at a very rapid rate of speed. The combined motion of the train in one direction and the water in the opposite direction, the latter impeded and interrupted in its course by the rocky path through which it flows, sending beautiful masses of spray and foam many feet in the air, makes an impression on the audience long to be remembered.” (Edison film catalog)

Exploding a Whitehead Torpedo

The title pretty much tells you all there is to know about this Edison film. It runs a very brief 27-seconds and shows a torpedo hitting its target and going off. I think the most fascinating thing about this is that we get a pretty close shot of the explosion and its aftermath. It was rather funny seeing this large explosion and especially seeing how long it took for everything that flew up in the air to land back down.

Le village de Namo - Panorama pris d'une chaise à porteurs

The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.

Scene from the Elevator Ascending Eiffel Tower

“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)

Panorama View, Street Car Motor Room

A camera moving forward on an overhead crane gives a traveling view of men working on machinery. Carts carrying parts and pieces of machinery pass by on rails; cranes lift machinery; and men perform their various duties, including hammering objects. (Library of Congress)

Treloar and Miss Marshall, Prize Winners at the Physical Culture Show in Madison Square Garden

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

Latina, Contortionist

A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.

Banks of the Nile

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.

The Birth of a Flower

"Percy Smith (1880-1944) was world famous as a photographer of plant life. Probably the first British example of time-lapse photography as applied to the growth of plants." Monthly Film Bulletin, November 1955.

Indochina: Children Gathering Coins Scattered by Western Women

Vietnamese children collect coins that are thrown them by two aristocratic ladies.

Vue prise d'une baleinière en marche

Sailors row a whaling boat in a medium-tight shot.

Würd'st Du ihn Sonntag Nachmittag zum Kaffee einladen?

A group of punks is observed and interviewed on a square in Hamburg-Ottensen. In close-ups, characteristic details of the outward appearance of punks and their provocative behavior are presented. The reactions of passengers and the owners of surrounding stores are recorded; some act emphatically tolerant and understanding, others reject them...