Næste Gang er det dig

The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.

Bikes vs Cars

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Autos von Morgen, Straßen von Heute, Menschen von Gestern

The problems of older people in road traffic. Various critical situations are illustrated in which “irrational” behavior comes into conflict with the surrounding traffic flow.

Bill Cunningham New York

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

Cambio de sentido

800 million units circulate around the globe. It is the largest contributor to air pollution worldwide and accounts for 8,300 deaths every day. And every night it sleeps in your garage.

Traffic with the Devil

This "Theater of Life" series short looks at traffic problems in Los Angeles, California, as described and experienced by Sgt. Charles Reineke, a traffic enforcement officer with the Los Angeles Police Department.

From One Second to the Next

Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.

Cairo Drive

A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.

Marginal

Movement Studies in Paris

A study of traffic movement in Paris.

Trucker

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Alabang Girls

Four city boys rich in experience but undeniably penniless, meet rich and pretty girls from an up scale suburb. With nothing but sense of humor and confidence, they try their luck to get the hearts of these Alabang Girls.

Vertical White

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Red

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Wide

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

Walk Safe! Young America

The film "Walk Safe Young America" is an educational short aimed at teaching children how to walk safely in urban environments. It emphasizes the importance of being aware of traffic, following safety signals, and using crosswalks. The narrative follows a character named Tommy, who learns about pedestrian safety after his pet, Sandy, is injured. The film covers various scenarios, including crossing streets, walking at night, and the proper way to exit vehicles. It stresses the need for vigilance and caution to prevent accidents.

Pie in the Sky

A young man obsessed with traffic patterns attempts to reunite with his first love.

Bus

In the middle of rush hour traffic in Lima, a young student refuses to give up his seat to an elderly woman, sparking unexpected chaos among the passengers.

Pedestrians

This film is an humorous view on the conflict of pedestrians with all growing car traffic.

Going Green