Social & External
Jessy
Vincent
Moeder
Aadi and Tara fall in love but both hate the idea of marriage and plan to separate when their lives take them to different countries. However, as they grow closer, their emotions are not easily managed.
Mrs. Blank visits her lawyer Karels to request his assistance with a matter. She is a niece of Baroness de Hagen. The baroness's son and daughter-in-law have passed away, and Mrs. Blank would be the sole heir, provided that the young son is no longer alive. Karels has to make sure the son disappears so that Mrs. Blank can claim the money in ten years. The son grows up in a gypsy family, but one day he finds out that this is not his family. What will happen? Will Mrs. Blank still get her money?
On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.
Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...
Claire and David are on a trip to Offline Valley in order to disconnect from social networks and the pressures of modern-day society. They'll probably end up dead.
Usha (Zarina Wahab) comes to her sister's house for relief from a terrible tragedy of her life which is the accidental death of her lover Ravi played by Shankar. In the new place, she meets Ramankutty, played by Nedumudi Venu, who is the friend of Vasu Menon (Bharath Gopi), husband of her sister. Their friendship eventually turns into love, but Ramankutty's mother does not allow this proposal. Usha slowly realizes that Vasu Menon's feelings for her are wayward, but she does not tell her sister as she fears that this will ruin their family. So Usha decides to go back to her home, on the way she meets Ramankutty, who has convinced his mother about marrying Usha.
Sisterhood is tested, rivalries heat up and new bonds are formed when students go back to their performing arts school to compete for an all-expense paid summer scholarship program to a prestigious Conservatory of Fine Arts.
A teenager summons the courage to help a friendly robot known as A.R.I. kidnapped by a ruthless lab director working for a powerful corporation seeking to turn him into a dangerous weapon in order to rule the world.
Story of two brothers
