Samantaral

On a family visit, a young man and his girlfriend set out to discover why his eccentric uncle has been mysteriously confined to one room for years.

Memories

Remembering his old memories, he will leave a photograph in every place where he was happy.

Dance, Fools, Dance

When misfortune hits hard on the Jordan family of Chicago's upper class, Bonnie Jordan, a dazzling and witty girl, finds a job as an aspiring reporter; however, her naive younger brother Rodney takes a twisted path and gets involved with the wrong people.

Tango Bar

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

La cumparsita

A reporter and tango singer is sent to the war zone in 1916, where he loses his memory.

¡Tango!

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Boys Don't Cry

A young transgender man explores his gender identity and searches for love in rural Nebraska.

Belle Époque

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Not Here to Be Loved

Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...

The Constitution

Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

San Telmo Tapes

Portrays the misunderstandings, losses and shipwrecks of the past of an unusual character who walks the streets of San Telmo forced to build a new identity.

Mask

A closeted trans man struggles with the fear of feeling unloved if he comes out, forcing him to hide his true self.

Tango

Believing his wife to be unfaithful, a husband deserts her and his child. Destitute, the woman is forced to take a job as a tango dancer.

A Casa Elétrica

Mutt

Over the course of a single hectic day in New York City, three people from Feña's past are thrust back into his life: his foreign father, his straight ex-boyfriend, and his 13-year old half-sister. Having lost touch since transitioning from female to male, Feña must navigate the new dynamics of these old relationships while tackling the day-to-day challenges that come with living a life in-between.

Tango Malhar

When Malhar, an auto driver, accidentally discovers Argentine Tango, he finds himself torn between his conservative roots and an elite dance community. Along the way he uncovers connection, awakening something beyond his mundane existence

Adela

Andrés Reyes is a police inspector of renowned prestige in Barcelona. After his intervention in the kidnapping of a young girl (who is finally freed by her captor), the head of the police force promotes the protagonist to commissioner. In this new role, Andres gets to work on the case of Adela, a transvestite in need of protection. An Arab mobster and a network of traffickers are hatching a plan around his victim. Andres will have a shady relationship with Adela, until the final intervention.

Tangos Are for Two

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Ayúdame a vivir

While studying at a Catholic boarding school, the young Luisa meets a boy, Julio, who talks to her from the street and through the gate. However, the girl's arrogant older brother removes her from the establishment and takes her to live in her family house. The beginning of love between Luisa and Julio is made even more difficult by what seems to be the beginning of a disease in her.

Freak

Randall, a hard working yet fragile soul faces his inner demons buried behind a drag queen persona while pursuing the dream of a lifetime.