A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
Social & External
An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
Looking for Hanako's stolen shoes, black cat detective Felix starts to move.
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.
In EIN TRAUM DER LIEBENDEN [A DREAM OF LOVERS], Monk meanders through a maze of Minoan bull-leaping, satyrs and revelatory rainbows.
Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.
In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
Chaotic poem read by a bimbo voice in cute piggery perfumed with poppers, the body loosen and is thinking about other possibilities of bottoming while deconstructing penetration, moving with fluids.
Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
From Malkuth to Kether and back, the whole spin of the wheel. A retelling of a series of dreams and visions experienced by the director in her Great Quest.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
