A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
Social & External
This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
In an alternate Manhattan, two researchers-Robert Lang and Jeff Hawthorne-are drawn into Project STARLING, a covert operation buried deep within the Titanpointe building. When Hawthorne breaks protocol and vanishes into a mysterious portal, the city reels from unexplained phenomena. Lang is forced to navigate a collapsing reality as STARLING agents turn ruthless and the boundaries between dimensions begin to rupture. As transformations unfold and the city descends into chaos, both men confront forces beyond comprehension-shifting identities, spectral adversaries, and a growing sense that something vast and irreversible is approaching.
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Martín, a young urban raver, is involved in a strange accident on the road on his way to a party in the middle of the Argentine Pampas. Finding refuge in a mysterious country grocery store and sheltered by two strange locals, Martín's paranoia begins to take over him. As the hours progress, his perception begins to distort, unleashing disturbing visions that will lead him to confront the supernatural forces that hide in the night.
Translating and encapsulating the director's personal childhood experiences as well as past lived experiences, You build a home in my mind comprises of playground rides, the everyday scenery outside the window of the artist's studio, and unique, special objects recalled from memories—weaving together a melody that lures the viewers to roam and wander. As the boat navigates between reality and imagination, resembling a journey of constant loss and persistent search, the scenes become slightly different when they reappear, these scenes alluding to the repetitiveness and uncertainty of life.
The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.
American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
Scratched lines and shapes float around this footage of a military spokesperson
Man often yearns of a past more innocent and pure. This film disregards that sentimentality and depicts a constant, permanent transformation of the landscape of mountains and rivers. A beautiful and intense image poem made from thousands of pencil drawings.
Meet Dee Laytner and his half-Japanese partner, Ryo McLane, a pair of detectives from New York. Not only are these two always chasing down criminals, but Dee can't stop himself from trying to 'chase' Ryo. While on a trip to England, Dee hopes to make his feelings for Ryo known but uninvited guests and a string of murders gets in the way. The pair become involved in the local crime scene when Japanese Americans start turning up dead. Will Ryo be in danger?
Machinima-adaptation of Albert Camus book "L'étranger", done in Grand Theft Auto: San Andreas.
A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.
To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
A person living in Liberty City goes to work, have some food & gets back home.
The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.
A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Something is about to change drastically, and the only thing to do is to witness it.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
In the ruins of a strange city, a young girl takes care of a large egg she holds carefully in her arms. She bonds with a boy who is searching for a bird he saw in a dream.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
A boy walks down the street and as he goes along his strides increase. Eventually he leaps over towns, forests, and oceans, seeing many things and surprising many people along the way.
Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...
Mater finds a small UFO called Mator and they have a night out. Later, when Mator is captured by military forces, Mater sneaks up and saves him with the help of Lightning McQueen and the UFO's mother.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
Aya Okamura has been working for two years and has begun living on her own for a job opportunity. With her mother working overseas as a doctor, her father is now living alone with the family's longtime pet cat Mii-san. One night, Aya returns from a long day at work, and as she rests on her bed, she reminiscences about the times the family had together. She remembers the sadness she felt when her mom went overseas, and the solace she felt when her father brought home Mii-san to give her comfort. Then, she receives a phone call.
A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.
A giant whale appears and flies above Sakura New Town. With the whale’s sound of crying, some changes occur to Kenta Amano and Yokai.
An action epic that explores the origins of the Aqua Teen Hunger Force (better known as Master Shake, Frylock, and Meatwad,) who somehow become pitted in a battle over an immortal piece of exercise equipment.
An urban legend says that lighting fireworks at an abandoned airfield will beckon the "summer ghost," a spirit that can answer any question. Three teenagers, Tomoya, Aoi, and Ryo, each have their own reason to show up one day. When a ghost named Ayane appears, she reveals she is only visible to those "who are about to touch their death." Compelled by the ghost and her message, Tomoya begins regularly visiting the airfield to uncover the true purpose of her visits.
An evil feudal lord rapes a village girl on her wedding night and proceeds to ruin her and her husband's lives. After she's eventually banished from her village, the girl makes a pact with the devil to gain magical ability and take revenge.
Second part of the new Fist of the North Star movie pentalogy presenting the story from Yuria's perspective, spanning from her childhood, including the day she first met Kenshiro.
This short film continues the adventures of the title character as he tries to retrieve his elusive acorn.
