We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Redland

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'

Hiding inside&out, writhing about, taken out&in.

The Two

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Pollice Verso Reverso

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Aridity Enclosure 1

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

The Twenty-One Lives of Billy The Kid

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Quick Billy

A psychedelic montage of home movie footage gives way to a silent western story.

Firing Flares @ Unnoticed Glares

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

What Was It Supposed to Be Like?

Rather pointless, rather stilted, fetid; not what we want us going after.

Devil Come to Hell and Stay Where You Belong

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

Every Ambulation a Betrayal

Return to 'burn' only to find out you're already in that urn.

Calangros: Um faroeste sobre o terceiro mundo

Entrance to the Grand Burial Chamber

1 minute experimental film.

I Might Be There (I Won't)

Onward, upward, greener [redder] grasstures.

Hope This Goes Over Well/Living in an Empty World

I really hope this is well-received. I really hope there's some sort of reprieve.

Grand Entrance to the World of the Dead

Radical recurrences & rancorous requests raze my daze.

Chinese Viola

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

Highlights

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.