Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.
Social & External
Unknown Role
In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.
As the Earth wrestles with its agonizing birth, the peoples of this barren and desolate world struggle to survive. Driven by animal instinct they compete against the harsh conditions, their giant predators, and warring tribes. When two people from opposing clans fall in love, existing conventions are shattered forever as each tribe struggles for supremacy and Man embarks on his tortuous voyage of civilization.
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
At the beaches of Aracaju(Brazil), popsicle sellers believe in the myth of a girl dressed in white called Eva Maria.
Amidst putting together a benefit concert for the local farmers and on the brink of a huge deal with mogul Lucky Claybert, Gumby and his band The Clayboys must battle with the villainous Blockheads, who have kidnapped their loyal canine Lowbelly.
Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.
A Danish, silent, stop-motion puppet adaption of the fairy tale “The Beauty and the Beast”
Art Clokey's first clay animation film was Gumbasia (1953), a short film showcasing a series of clay shapes twisting, turning and contorting in kaleidoscopic patterns. Clokey showed the film to producer Sam Engel, who suggested that Clokey apply the technique to form children's stories. Although the next film Adventures of Gumby: A Sample (1955) was never televised, it is confirmed to be the first pilot episode of what would become The Gumby Show. Soon afterward, Clokey completed the second pilot for the National Broadcasting Company (NBC) through the financial assistance of Engel. Entitled Gumby on the Moon (which Moon Trip Part 1, the actual first episode), this marked the television debut of Gumby. The cartoon was presented on Howdy Doody to much success, and led to the development of the series The Gumby Show.
Five different exploits of Sinbad the sailor where he gets mixed up with the pretty daughters of exotic potentates, with powerful monsters that threaten his existence, and with all sorts of teeming jungle life.
An experimental re-telling of the last days of the Romanov sisters.
The film is about the relationship between crazy scientist George Edison and his son Leo. After being electrocuted as a child, Leo is no longer able to touch people without electrocuting them.
The insatiably curious and headstrong inventor Leonardo da Vinci leaves Italy to join the French court, where he can experiment freely, inventing flying contraptions, incredible machines, and study the human body. There, joined in his adventure by the audacious princess Marguerite, Leonardo will uncover the answer to the ultimate question – "What is the meaning of it all?"
The setting is on a floating platform where a group of evenly and carefully placed men live. Each man is aware that the platform is not stable and in order not to fall to their deaths, they maintain a careful balance of weight to prevent the platform from tipping too far and cause them all to fall.
After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.
Fishboy lives in darkness, his guilt about the past slowly consuming him. His girlfriend Laura is a light of hope in his dark world. But despite his efforts, his past continues to chase him, eventually putting them both in danger.
A little boy is having trouble falling asleep because there are monsters in his bedroom
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.