Social & External
Osman
Hülya
Erol
Yasemin
Hüsnü
Yasemin'in Babası
Unknown Role
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A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
A short film from Hans Jürgen Pohland.
8mm film by Swiss artist Roman Signer.
not there yet
A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.
A dark story about obsession, cats, and birthday presents.
Auto Da Fé is a diptych that looks at migration through the lens of religious persecution. Presented as a poetic period drama, the film presents a series of eight historical migrations over the last 400 years, starting with the little known 1654 fleeing of Sephardic Jews from Catholic Brazil to Barbados. As the film develops, we are presented with tale after tale of populations being displaced along religious lines, right up to the present day migrations from Hombori, Mali and Mosul, Iraq. Religion, persecution and migration are, it seems, old and continuing bedfellows. The work was filmed on location in Barbados, but the landscape is deliberately anonymous, reflecting the universal nature of these stories.
This short film follows a man lost in the woods driven by his fear of the unknown.
A modern day take on silent films blended with horror.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.
A group of friends try to defeat an evil king, and meet some quirky characters along the way.
Naneek is an award-winning short documentary (2015) that captures the journey of Tim "Naneek" Keenan as he meets with former enemies, revisits the battleground of Dak To, and confronts a past he’s been unable to overcome. He feared his return to Vietnam for over 40 years. Until Now.
Two close and very wealthy friends, Vijay and Pranlal, decide to cement their friendship to a relationship when Vijay proposes marriage on behalf of his sister, Shobha, with Pranlal's son, Amar. Pranlal agrees, and preparations are on for the marriage to take place. Vijay finds out that Pranlal and his men are using their business as a front for drugs and smuggling, and he decides to cancel the wedding. Pranlal is angry with Vijay, but refuses to give up his criminal career. When Amar finds out about his dad's spurious activities, he kills himself. Pranlal, humiliated and angered, vows to avenge Amar's death, and wants Shobha to be Amar's widow for the rest of her life, which is not acceptable to Vijay. Then Shobha meets with a handsome stranger named Jackie, who rescues her. She offers him employment with her brother's firm, and they fall in love with each other.
A bodybuilder, anxious to build his own gym, dates a wealthy heiress to obtain funds to finance his dream.
Squame explores the body's sensitive envelope, the skin. The ephemeral animated desquamations, created with the help of sugar casts, evoke fragile landscapes in a world at the edge of abstraction. Somewhere between archeological artifacts and macroscopic observations, the friable frontiers of these human bodies elude our gaze.