The professional life of Roxanne Lowit, one of the greatest fashion photographers and a pioneer of backstage photography, covering her career from 1977 and the Studio 54 until now.
Social & External
Herself
Himself
In this heartwarming docudrama, Chilean immigrant Marilú Mallet strives to make a film about her experience of deep isolation. Her English-speaking husband, a prominent film director, criticizes her subjective approach to filmmaking; her young son, raised in Quebec, speaks only French. Interviews with Isabel Allende and other Chilean exiles reveal a deep bond in this powerful and resonant film about language and genre, exile and immigration.
A minor disagreement between neighbors in Florida takes a lethal turn, with police body camera footage and interviews probing the aftermath of the state's controversial "stand your ground" laws.
The fascinating complexity of high school debate gives way to a portrait of the equally complex racial and class bias of American education in Greg Whiteley's riveting documentary.
Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?
ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.
Each year in the United States, over 200,000 prisoners face a parole board that must make the difficult judgment of whether these convicted criminals are ready to gain their freedom and return to society. This documentary focuses on three inmates in Louisiana, Nevada, and Massachusetts with a range of chilling crimes - a father's murder by his troubled son, a crime of passion by a respected NASA scientist, and a shooting/robbery on the streets of Las Vegas. Incorporating interviews of key characters with extensive testimony footage and reenactment sequences that explore the life and crime of the inmate, the film vividly examines the conflicting needs of the victim, the criminal, and the community while testing our own notions of justice.
On its surface, this is a film about a man returning to New York to finish the film he began in 1970, when he was a 22 year old film school hotshot. Along with his former lover and star of the film, they transfer the film, hire an editor, and get to work.
Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.
John Wayne, Henry Fonda and James Stewart discuss working with John Ford
Documentary on the events that took place in Alsasua during the Civil War, with specific reflections on the figure of the parish priest Marino Ayerra, interviews with the people of Alsasua, and general historical comments by the historian Tuñón de Lara.
The film analyzes the efforts by the families of 9/11 victims to create the 9/11 Commission and what information was revealed by it in the 9/11 Commission Report.
A survivor of the Rwandan Genocide struggles to forgive the man who killed her children. A victim’s daughter strikes up an unusual friendship with the ex-IRA bomber who killed her father. And two men—one Israeli, one Palestinian—form a bond after tragedies claim their daughters.
The remarkable true story of Michael Cohen, a charlatan art dealer who swindled over $50 million from the art establishment before going on the run.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.
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