Documentary on Swedish rockabilly singer/songwriter Eva Eastwood.
Social & External
Eva Eastwood
Narrator
Self
The movie captures the responses of 31 authors, musicians, filmmakers and dancers to Olivier Messiaen's monumental organ work "Apparition of the Eternal Church." Listening to the 10-minute piece through headphones, the documentary subjects-most of whom are outsiders to the church and do not know what they're hearing-put Messiaen's project to the test: Is it possible to portray, through time-bound, invisible sound, the spiritual, the architectural, the eternal? The result is a collective interpretation improvising its way through an aesthetic landscape defined by violent contradictions. Resolution abuts eternity, eroticism asceticism, spiritual ecstasy physical torture. Together, the music and its interpreters conjure something like what William Blake famously called the marriage of heaven and hell.
"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.
The film documents the alternative festival, made to protest against the Eurovision Song Contest held in Stockholm 1975. There are many Swedish and international artists on stage, as well as some clips from speeches, riots, civil wars, and the people at the song contest itself.
After 25 years of non-stop creation and at the peak of their career, the rock band Berri Txarrak decided to hang up their instruments. But before they did that, and as a farewell, they did one last tour around the world to thank all those fans who had bopped to their music all those years. A film about the power of music and passion — the “minimum requirement,” as one of their lyrics says.
Knots and Fields examines the aesthetic debates and tensions that have animated the Darmstadt courses over six decades, exploring their relevance today in an increasingly globalised environment.
Husband and wife music producers Ray Chew and Vivian Scott Chew embark on an ambitious two week journey to Cuba to create a collaboration of sounds which originated from Afro-Caribbean roots that has evolved into what we now consider modern day Salsa music. Bringing together multiple artists from the U.S. and Cuba, the film shines a light on Cuban culture and takes the viewer through the creative process and challenges of producing an album while providing an auditory sensation that touches the soul. Featuring Eric Benét, Louie Vega and Sergio George-who has produced albums for Jennifer Lopez, Marc Anthony and more. Audiences will walk away feeling the passion, positive energy, triumph and love that keeps this musical marriage strong.
From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"
Self Discovery for Social Survival is a collaborative surf and music film produced by Brooklyn based record label, Mexican Summer and Pilgrim Surf + Supply, a New York based surf and outdoor brand. Filmed in Mexico, the Maldives and Iceland in three separate vignettes, musicians (Allah Las, Connan Mockasin, Andrew Van Wyngarden of MGMT, and Peaking Lights) alongside pro-surfers,embark on a journey that combines a symbiotic relationship between music and the waves, the environment, and local culture. Poetically narrated by the legendary avant-garde film maker Jonas Mekas.
The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.
Documentary that recreates the biography of the Catalan composer and pianist Enrique Granados (1867-1916), his trips to Madrid, Paris and New York, his sensitive nature, the struggle to make his way in life despite the family economic straits and his first successes The story, built from vintage images, is interspersed with versions of the Granados repertoire by interpreters such as Rosa Torres-Pardo, Evgeny Kissin, Cañizares, Arcángel, Rocío Márquez, Carlos Álvarez and Nancy Fabiola Herrera, among others.
On August 23, 2018, Beach House performed a stunning, career-spanning set at Brooklyn’s historic Kings Theatre. Performing music from their latest album '7' and stretching back through 2010’s 'Devotion', Victoria Legrand and Alex Scally brought their moody and mysterious dream pop to life, backed by state-of-the-art visuals, in a venue as grand and majestic as their music.
Big Giant Wave is an ode to music, the invisible abstract and fleeting sequence of sounds that creates in the brain the same reaction as chocolate, sex, or drugs.
Talented teen musicians from around the USA spend a week working with Grammy nominated professionals
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Yellow Magic Orchestra playing songs from the album Service in the Nippon Budokan, Tokyo, Japan in the 22 Dec. 1983
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
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