Short film by Paul Clipson.
Social & External
Thirteen-year-old Mila Malinov wakes up alone in the back of a cab. Arriving at the densely packed apartment block of zone 21, she makes her way to her room as the watchful eye of the global government hovers above in the form of monitor drones. Across the courtyard, another set of eyes watches her, a protective Mother. Her room is small, cubed, and very simplistic. In her ear, a voice keeps her company. Her father, Darko Malinov checks in. He speaks to her through an earpiece making sure she’s okay. The next day, Mila visits the local bartering station that’s at the end of the long alley that hugs her apartment block. Currency in this world has resorted back to bartering, swapping items for other items. Mila finds a group of interested buyers and swaps a capacitor for some food, all while her father guides her. That night, she shares a meal with her father via voice, wishing that he was there instead. As Mila sleeps, a figure sneaks up to her door making Mila nervous.
Theatre students André and Gabriel drum up support for resistance against the dismantling of culture policies in Brazil.
A documentary of an avant-garde theatre performance, presents an orgiastic rite of sex, degradation, and bloody sacrifice, performed by Zero-Jigen.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.
A young man tries to get out of an old library, as rock creatures from his childhood book threatens his life.
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
British silent comedy film directed by Thomas Bentley...
Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.
After receiving a mysterious letter, a wayward son returns to his childhood home to wrestle with a dark family secret.
After the lead of his Band is kicked out he makes a new rival band to compete.
A young guy asks a prostitute to go down on him while singing La Marseillaise.
Fathers and sons. Yaron plays junior league soccer for the Haifa Maccabees. They're having a great season, in part because Yaron lifts the team's spirits by enthusiastically broadcasting their games from a microphone at the bench. When a player is injured and Yaron plays, it's a disaster. But the one person who can't find out is his dad, Danny, whose football exploits as a youth are his favourite memory. Now a stevedore, Danny works when the games are played and thinks Yaron is a star. The Maccabees are set to play a Jerusalem team for the league championship on Saturday - Danny wants the day off and Yaron goes to the coach and begs to play. Can he be a hero to his dad?
Animated short film
Experimental short film
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.
Stan and Ollie join the French Foreign Legion after Ollie's sweetheart rejects him.
Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
The Little Fellow finds the girl of his dreams and work on a family farm. He helps defend the farm against criminals, and all seems well, until he discovers the girl of his dreams already has someone in her life. Unwilling to be a problem in their lives, he takes to the road, though he is seen skipping and swinging his cane as if happy to be back on the road where he knows he belongs.
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
The story of a rodent's unrelenting quest for happiness and fulfillment.
Tom ties up Spike and sneaks into the courtyard of the glamorous Toodles Galore with his bass, hoping to woo her with his song, much to the annoyance of a sleeping Jerry.
Chip and Dale are starving in their tree home when they notice a plentiful supply of acorns on an island in a lake. To get to the island, they borrow a miniature model ship of Donald's to sail on. The irate Donald, however, doesn't appreciate them stealing his ship and makes several attempts to get it back and thwart their scheme to get to their acorn paradise. Chip and Dale are, of course, always one step ahead of Donald.
The human resistance works to convert a sentinel to their side. Part of the Animatrix collection of animated shorts set in the Matrix universe.
Mater, the rusty but trusty tow truck from Cars, spends a day in Radiator Springs playing scary pranks on his fellow townsfolk. That night at Flo's V8 Café, the Sheriff tells the story of the legend of the Ghostlight, and as everyone races home Mater is left alone primed for a good old-fashioned scare.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
Tragedy strikes the Batman's life again when Robin Jason Todd tracks down his birth mother only to run afoul of the Joker. An adaptation of the 1988 comic book storyline of the same name.
A Pixar short about a lost-and-found box and the unseen monster within.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
Buster Moon dreams up a star-studded spectacle set to Michael Jackson's "Thriller" in this animated short featuring characters from the hit "Sing" films.
When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
Everybody needs some alone time to relax and wash up, but things go quite differently when you’re a Flora Colossi toddler.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
