On preserving moral principles and the importance of gaining the trust and respect of others.
Social & External
Adham
Alakbar
Aliya
Bayramov
Nina
Feliks
Ogtay
Ramiz
Sona
Tofig
Eyvaz
Vunderkind
Vunderkind's Mother
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
The film is about Azerbaijanian and Uzbekistan's cotton-growers contest and about two young people's love.
War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...
Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.
A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish
The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.
In a Azerbaijan, in the beginning of this century, the first films made in the history of cinema are shown.The characters meet each other in a room. Three characters who will witness the linking up of their destinies through their common love for this new captivating art.
Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.
During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.
Political farce. Soviet power is compared to a symbolic "Red Train" without a steering wheel bringing happiness to people.
After many years of effort and patience, she failed to save her family. She watched with pain as her husband, an architect by training, was ruining his life with idleness and melancholy. Unable to bear the boredom of life together, she leaves home...
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
The events in the film take place in one of the modern cities. The editor-in-chief Rustam Agayev (Egit Iskenderov) finds an ancient lamp placed in the jaw. For the talented but poor character Rustam, this lamp shatters the sky. With the help of jinn, the young man suceeds: his play is made on anchor; his girlfriend, Maya (Natalia Tagiyeva), agrees to marry him, and the bar is in the apartment. But Rustam wants to achieve everything. When the jinn throws away his "owner," he unveils the secret: a person must believe in his own power, and there must be a strong desire to create miracles.
The film tells the story of the events during the night of January 19 to 20, 1990, when the Soviet Army invaded Baku and its surroundings and killed many civilians.
Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.
The film is about young village man and about his love's.
Rasim, a young mechanic, meets Surayya and falls in love with her. But he is dragged into Shirmammad's wrongdoings; Shirmammad is Surayya's father and the leader of a gang of poachers. Realising his fault, Rasim tries to convince Surayya to stop trafficking in stolen fish. After a long period of reflection, Rasim becomes aware that he cannot go against his conscience, even for love's sake.
The film is about young girl and her first love.
The film tells the story that takes place in one of the gardens of Baku, about an honest bus driver, Agababa, who lives by high moral standards, and his large family.