After the play of the same name of Anar.
Social & External
Giyas
Dilara
Bahram
Shamkhal
Firuz
Agharafi
Namig
Gumru
Rasim
Rukhsara
Tamara
Gumru's Mother
Unknown Role
Sughra
Waiter
Sex Worker
Guest
A new teacher arrives in a remote mountain village, where the old traditions still hold sway.
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
The film portrays the life of the legendary Azerbaijani guerrilla of the Second World War Mehdi Huseynzadeh, who fought the Nazi forces in the present-day Italy and Slovenia, hence the film's name On distant shores referring to the Adriatic Sea.
The movie tells about the tragedy of miserable people who turned to dogs. A group of people who desperately seeks for a job is abducted and forced to labor like slaves.
The film is about famous Chechen ballet and folk dancer Mahmud Essembayev's life.
Matteo Falcone is an Azerbaijani short drama film based on Prosper Merimée's like-named story from 1829. Matteo Falcone is a successful Corsican, who lives with his wife Giuseppa and 10-year-old son Fortunato. One day he leaves home with Giuseppa, leaving Fortunato alone.
This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.
Psychological drama about a university dean who leads a double life.
During the WWII a group of children are trying to save Stradivarius violin from Nazis.
The twin brothers Sachib and Garib are cheerful and funny boys. They tend to their small farm and take care of their mother and sister. But Garib is no longer satisfied with this "simple" life. He wants to achieve prestige and prosperity. One day, while working in the fields, he is surprised by a demon who promises him wealth, fame, honor, and power if Garib works for him. Garib succumbs to the temptation and accepts the offer. His task now is to impart his knowledge and skills to the cave dwellers, called jinn. At first, Garib feels comfortable and succeeds in transforming the underworld into a fertile and flourishing landscape. But Garib is increasingly tormented by his longing for his family back home.
Biopic about general Hazi Aslanov, who died fighting Germans in WW2.
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
Madina is a young married woman who is mentally strong despite the problems she encounters.She has no children and her relationship with her husband is bad, although he loves her.She makes carpets which is a way for her to express her feelings. One day, she meets a man working in a circus. She gets to know him better and becomes transformed by him as he helps her improve her husband and the carpets she creates.
While there is famine during WW2, a boy with mom far away, tries to stay strong.
This film was based on Samad Vurgun's "Komsomol poem". Seven sons, like seven samurai become the seven komsomols (communist leaders) who were sent to a village to establish Soviet power. Seven sons become the romanticized images of people's heroes ready to take revenge.
Murad, a young man, lives by the old ethical norms that are still valid in the suburbs of his city. He had promised Tofig, his childhood friend, to give him his sister as a wife, but Tofig is in love with another girl. He forgets the promise and takes the girl home. Murad is offended. According to the code of honor, he must take revenge. One of the first films ever produced in the Soviet Union to challenge the sociopolitical establishment.
Childhood friends Ahmet and Nuri, the sons of poor farmers, grew up together, studied together, and worked together in a factory. Together, they publish the magazine Light, which opposes the colonial policies of foreign capital and military pacts. After their first imprisonment, the friends' paths diverge: Nuri betrays his convictions and joins a reactionary newspaper. His life is now safe, but he finds no joy or peace. Meanwhile, Ahmet, having become one of the main enemies of the reactionaries, attracts more and more patriots to his side.
Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.
During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.