The money has gone missing in the mosque of Saint-Etienne. Saoud, the gang leader is suspected.
Social & External
Saoud
Kamel
Clash
Samos
Océane
le Veau
le père
l'imam
As graduation draws closer, a college student finds herself torn between a stable job and her passion and field of study: being a clown.
After receiving a mysterious letter, a wayward son returns to his childhood home to wrestle with a dark family secret.
Awakening on the floor of a destroyed suburban bedroom, we discover a global invasion has begun and we are not alone in the house.
Jules, Elia, and Lucía, three sixteen-year-old friends, receive a mysterious box on the anniversary of their fourth friend Ale's death. Inside, they find a list of dreams and wishes Ale had wanted them to fulfill before her own life ended. Determined to honor their friend’s memory, they skip school and set out to accomplish each item on the list.
Mario and Gonzalo are father and son, they're unseen for years, now both will have to settle unfinished issues from the past, issues that Gonzalo unforgiving of his father, and from himself.
While hanging out, five friends simultaneously lose all their memory.
An MI5 double agent is forced to stop his brother's gang from committing an insurgency on the British Government. But does the love for his brother outweigh a conflict of beliefs and ideals?
Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.
Born to a North African father and a French mother, 18-year-old Parisian high school senior Rémi works part-time in an Arab grocery store while studying management and commerce. He responds to a school ad seeking subjects for a film, and Marc, who placed the ad, auditions Rémi by filming an interview with him. Rémi and Marc wind up in bed, and Rémi soon has other sexual experiences – with a guy in a men's room and with a young woman who grabs him while she's dancing in the street.
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface.
A destitute, drunk woman appears to yearn for the life of a streetwalker.
Last night, Brokeback Mountain aired on TV, Vincent watched it and found himself emotionally compelled by the story. Whilst chatting with a classmate in the school toilets, he takes advantage of the break to describe the film as only an adolescent can.
James leads a lonely life in a luxurious castle in which his parents run a hotel. He never goes out with friends, spends his spare time in his room and peeks at the hotel's guests out of boredom and curiosity. Chased by his controlling mother, who only wants him to finish his homework, James is more interested in the group of handsome Swedish soccer players staying at the hotel. When he finds one of the boys injured at the hotel's swimming pool, James offers his help and smuggles the boy into his room and locks the door. Locked up with a strange boy in his own room, James experiences the complexity of his own sexual feelings for the first time.
When Dory’s bowl of cereal becomes mysteriously empty, she is forced down a path of unexplainable punishment, anxiety, and overbearing manipulation from her mother.
Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, "You killed me first!"
After drifting apart from his best friend Elijah, a lonely high school student named Jonas begins spending his days with Charlie, a strange cartoon 2D Animated figure only he can see. But as Charlie’s influence over Jonas grows stronger, Jonas realizes the voice in his head may be the very thing holding him back.
"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders
A little desert motel. A runaway bride. A grifter lover. A suitcase full of trouble.
Valentin has to face rather unusual roadblocks on a way to celebrate the 14th with his girlfriend.
“Snow gently falls on the blood-stained streets of a seedy out-of-time New York City. Steam envelopes the nightmare unfolding within its narrow alleys. Iron is the will of the one who would dare to resist… fight… survive.”
A spectacular heist starts to unravel as the crooks take it on the lam.
When young dad, Joe, discovers he's dying, drifter Charlie is given a unique opportunity to turn his life around. A story of family, identity and starting again.
Old professional killer Wagner seeks someone to teach what he knows as long as he is already dying, and he chooses Max, young and passionless thief to be his successor.
Stéphanie, a police officer working for Internal Affairs, is assigned to a case involving a young man severely wounded during a tense and chaotic demonstration in Paris. While she finds no evidence of illegitimate police violence, the case takes a personal turn when she discovers the victim is from her hometown.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.
A homeless man is hired as a survival guide for a group of wealthy businessmen on a hunting trip in the mountains, unaware that they are killers who hunt humans for sport, and that he is their new prey.
A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building.
Noumouké, from the suburb of Paris, is about to decide which brother's foot steps to follow - the lawyer student Soulaymaan or the gangster Demba.
Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.
Yamakasi - Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.
After a group of young revolutionaries break into a company's corporate headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police Lieutenant Virgil Tibbs for assistance.
After witnessing her parents’ murder as a child in Bogota, Cataleya Restrepo grows up to be a stone-cold assassin. She works for her uncle as a hitman by day, but her personal time is spent engaging in vigilante murders that she hopes will lead her to her ultimate target: the mobster responsible for her parents' death.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
At a desert diner, the lives of five strangers become linked through a single twenty-dollar bill. Shot for $20,000 and starring Philip Baker Hall, the short premiered at Sundance and later inspired Anderson’s debut feature Hard Eight (1996).
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.
The hunt, capture and trial of Guy Georges, one of France's most notorious serial killers.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.