The story of friendship, help and the importance of maintaining family ties. We really want to give each of you a fairy tale. It's time to go home!
Social & External
Ivan
Stepa
Mother
What bridegroom could be romantic with a swollen jaw and a yelling tooth? His young bride thinks that's no excuse!
The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.
A short film about people in multiple different jobs
It's summer. A group of teenagers decide to go on a camping trip. They drive far up in the country until they find a small place were they rent canoe's for a cheap price. The group paddle for a long time before they find the perfect island to set up camp on. They have sex, do drugs and drink alcohol. But the next morning they notice that one of them has disappeared. They split up to go looking for her, but that proves to have horrifying consequences...
Silly, amateur Swedish horror spoof reuses the original HALLOWEEN score and opens with theater patrons viewing the final reel of the original John Carpenter film. In a nearly-abandoned office building, a psycho in a jumpsuit and white mask cuts his way out of a package and proceeds to chase a clumsy clerk around while killing off anyone who crosses his path.
Elvis Stories is a short movie directed by Ben Stiller and starring John Cusack and Ben Stiller
When a power-cut ruins Ruby's bedtime routine she finds herself haunted by embarrassing past versions of herself. The only way for Ruby to get a peaceful night of sleep is to confront her visitors and accept herself just as she is.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
It's 1975, and John Dykstra, a lowly college professor, with not much confidence but a semi-successful author, is on his way home from his monthly meet up group with fellow authors, when he decides to pull off to the nearest rest stop. What he encounters there is an unnerving domestic assault, that will force him to embrace his alter ego, Rick Hardin, the hitman in his novels, and finally decide what kind of man he wants to be.
A Japanese family is confronted with the mother's disease. The profoundly symbolistic images of this short film show us how Yù and his father perceive the possibility of the death and how it affectsa young boy and his vision of life.
This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.
It was the first film version of the Hunchback of Notre Dame.
In a near future, four criminal psychotics divides themselves from society in a road trip of random ultra violence upon anyone that crosses them. Their violent nature soon forces them into the Swedish country-roads on their flight from the police. What they don't know is that their murderous joy-ride soon will turn into a desperate fight for their lives as they end up in a village that have been cut off from the rest of the world since the age of the Vikings, and where the government have disposed radioactive waste that has turned the villagers into mutated, cannibalistic monsters! And this is a fight our band of outlaws are not sure to win.
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats.
The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.
Four friends trapped on a boat, drift through a series of terrifying encounters.
Two teen boys meet each other in Copenhagen and team up to find one of the boys' mother. Instead they end up finding themselves - and each other.
Bob Kenner is a superhero. He lives in Peckham. This is the first time he has granted an interview.
The Supporter is a short film that provides an insight into Swedish supporter culture. Through its main character Axel we are drawn into a world of dependency, affirmation and violence. Hooliganism is an ever-present phenomenon, reported on daily in the media. We see how a more organized criminality blends in with families with children and ordinary fans. And all the time we ask the question: 'how close is this violence to ourselves?'
