Social & External
He is already a real star: little polar bear Knut, born on December 5, 2006, is the first polar bear cub at Zoo Berlin for more than 30 years. The little sensation attracts all the attention, because for the first time a camera is looking into the nursery of a hand-reared polar bear. The Berliner Abendschau regularly reports from Knut's nursery and shows his first clumsy steps. After mother polar bear Tosca refused to accept the little white ball, animal keeper Thomas Dörflein took over mother and father duties from day one. Knut and Dörflein have now been living together in a small room at Berlin Zoo for three months.
Are dialects and regional languages still spoken in Thuringia, and what do they sound like? The West Thuringian dialect spoken in the Wartburgkreis district, around Eisenach and Bad Salzungen, can sound quite distinctive, as the example from Ruhla shows. Near Mühlhausen, there is the Vogteier Platt dialect, and in the Rudolstadt and Saalfeld area, the Ilmthuringian dialect transitions into the Southeast Thuringian dialect. Around Meiningen and in the Sonneberg area, the dialect sounds Franconian. And the Altenburg dialect belongs to the East Thuringian dialect...
Cathy’s birthday’s on 29th February, which is an impossible day as it is, because it’s a leap day. Then her dad comes up with the bright idea of giving her a duck egg to hatch for her tenth birthday. The chick appears when Cathy and her best friend Margot are watching, and the chick thinks Margot is its mummy. But Margot is bound to a wheelchair and will soon have to go to a special home. Unable to look after the duckling on her own, her parents decide to ged rid of it... Cathy and Margot end up in an adventure which teaches them a lot about how to rescue a migratory bird, but even more about themselves.
Stage program is based on the book series of the same name by Bastian Sick, which was created from the collection of Zwiebelfisch columns. In an entertaining way, it deals with doubts about grammar, spelling and punctuation as well as expressions in the German language that Bastian Sick considers unattractive. A PC game has also been published to accompany the book.
After the attack on Pearl Harbour, President Eisenhower committed to a reigme of ruthlessness. The blood of Americans would not have been spilt in vein and what followed was a furious and vicious series of retaliation strikes at key point around the world.
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.
Award-winning investigative journalists and forensic engineers analyze never-before-seen evidence that indicates NASCAR legend Tony Stewart killed a competitor after accelerating his car and fishtailing it toward the defenseless man.
This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
It is a cold case that after 50 years still haunts Italy today - an epic travesty of justice shrouded in mystery and deception involving he ritualistic serial murder of eight young couples in the country lanes around Florence in the 1980s.
A docudrama on John F. Kennedy's early travels through Europe with his best friend Lem Billings. A road trip that would lay the foundation for JFK's later love for Europe and its countries, such as Germany.
As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.
An experimental documentary that dares to gather diverse and plural audiovisual archive materials, which gives itself the possibility of creating an imaginary, but concrete, intense and profound conversation between the filmmaker Marta Rodríguez and the indefinable Camilo Torres Restrepo. A film that invents the opportunity to talk to a dead man, why yes, Camilo died, but his questions, his ideas and his effective love remain strong and powerful within Marta's life and political and artistic reflection. Who was Camilo Torres Restrepo? The documentary tries to answer this question by looking at Colombia today, analyzing it, and understanding it, perhaps a little more, in its inequalities and its constant violence. Perhaps this is the greatest legacy that Camilo left to those who are still alive.
Trace the beloved comedian, actor, and producer’s journey to superstardom — from the mid-1980s stand-up comedy circuit to SNL to the big screen.
Hidden in a house, about to be demolished, in the town of Sant Cugat del Vallès, located in the Spanish province of Barcelona, two red boxes are found; and inside them a totally unexpected treasure: thousands of photographs that the Republican photographer Antoni Campañà Bandranas (1906-89) took during the three years of the Spanish Civil War (1936-39); an enormous frieze of daily life in cruel times.
Director Dmitry Lavrinenko, famous for his documentary about the rock band Auktyon (АукцЫон) "Encore", mounts the story of Fedorov from images equally momentary and eternal, and stories at the same time everyday and worldly. Phantoms and chronicles, tales about recording the first solo album in an unheated Lendok studio, a confessional story about the death of his father, memories of meeting Henri Volokhonsky and Khvost (Aleksei Khvostenko), who scared dad with his complete freedom from reality, drinking vodka at a meeting with grateful and not very listeners. Behind the mosaic painting is a whole story about the thorny path of the artist, the courage to leave the comfort zone and spiritual poetry, which the film is looking for a visual equivalent.
Interviews and archive footage trace the career of the pioneering exploitation filmmaker.
