A documentary film in which a rock fan shows off his obsession and his memorabilia.
Social & External
Himself
Featuring songs from their debut album DANZIG: "Twist of Cain" and the controversial uncut versions of "Am I Demon", "She Rides" and "Mother". Plus interviews and behind-the-scenes footage. Highlights include: Glenn revealing his songwriting process, reading Wolverine comics, discussing his book collection, chugging a box of Milk Duds before an encore, and Eerie Von being a badass.
In 1972, Moody Anderson bought a ghost town and brought it back to life. Nearly four decades later, Moody faces the heart-wrenching task of dismantling and selling his collection of Americana artifacts used in hundreds of films, from Lonesome Dove and The Texas Chainsaw Massacre to the Coen Brothers' remake of True Grit.
Never-before-seen video footage of Guns N' Roses in their formative years, and how they climbed the charts from the gutters of Hollywood's Sunset Strip. The film tells the story of how the band came from playing bars on the Sunset Strip in Los Angeles to stadiums across the world and has been compiled from a host of exclusive interviews and the early footage of GNR fan and friend Marc Canter. Interview subjects include Slash, drummer Steven Adler, former manager Vicky Hamilton, Whisky A Go Go owner Mario Maglieri. Marc Canter has also said there is a full-cinema biopic (with actors) in the works.
A symbol of nostalgia for some, authentic object of art for others, the 33 rpm record is gaining in popularity. Even if it was pushed aside in 1990 by the compact disc, it’s now attracting a new generation of music lovers.
Shot during Maiden's historic tour of Poland and other parts of the Eastern Bloc in 1984, featuring interviews, live and offstage footage, capturing the atmosphere of this remarkable journey behind the Wall at the height of the Cold War.
Something is happening. It is happening nationally and locally. It is an ideology that manifests itself in graveyard desecrations, animal mutilations, human sacrifices and suicide. It categorically involves drug/ alcohol abuse, pornography, sexual perversion, physical/mental abuse, heavy metal music and drinking blood. And it is highly organized. Satanic/Occult organizations (churches) have corporate charters, own buildings, maintain national/ international computer networks, publish magazines/newsletters and hire professional public relations firms to polish their public image. It is both generational and self-styled. Some groups are esoteric while others are pantheistic.
IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.
The documentary shows the Maestro's entry into the Santa Marcelina Music College, where he met the friends with whom he would form Angra, and questions asked more than 20 years ago that had never been commented on will be answered. These are relevant statements by Andre himself, Kiko Loureiro and Rafael Bittencourt, who talk about the misunderstanding between them and the consequent departure of the singer from the band. Drummer Marco Antunes, who is speaking publicly about Angra for the first time, tells how things started to fall apart right at the beginning of the band.
At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal" influenced a musical generation that includes Metallica, Slayer, and Anthrax. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams.
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
Heavy metal band Iron Maiden's 2008 Somewhere Back in Time World Tour. This concert recording accompanies the documentary film "Iron Maiden: Flight 666". The 16 songs performed were filmed live in 16 different cities giving you the full experience of the live power of Maiden and their fans all around the globe.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?
Twenty years later, the producers of "Heavy Metal Parking Lot" track down and interview some of the heavy-metal fans originally featured in the 1986 cult classic.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Setlist: 01 – People = Shit 02 – (sic) 03 – Get This 04 – Unsainted 05 – Disasterpiece 06 – Before I Forget 07 – The Heretic Anthem 08 – Psychosocial 09 – The Devil in I 10 – Prosthetics 11 – Vermilion 12 – Custer 13 – Sulfur 14 – All Out Life 15 – Duality 16 – Spit It Out 17 – Surfacing
Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.
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