Sam is a mute 5-year-old girl who lives with her father and twin sister April in a house near the beach. On Christmas Eve, April disappears. Exactly one year later something strange happens ...
Social & External
April/Sam
Father
The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.
A man with a mission climbs the stairs of a haunted apartment building.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
It's 1975, and John Dykstra, a lowly college professor, with not much confidence but a semi-successful author, is on his way home from his monthly meet up group with fellow authors, when he decides to pull off to the nearest rest stop. What he encounters there is an unnerving domestic assault, that will force him to embrace his alter ego, Rick Hardin, the hitman in his novels, and finally decide what kind of man he wants to be.
A Japanese family is confronted with the mother's disease. The profoundly symbolistic images of this short film show us how Yù and his father perceive the possibility of the death and how it affectsa young boy and his vision of life.
This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.
It was the first film version of the Hunchback of Notre Dame.
The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.
Four friends trapped on a boat, drift through a series of terrifying encounters.
Two teen boys meet each other in Copenhagen and team up to find one of the boys' mother. Instead they end up finding themselves - and each other.
The Supporter is a short film that provides an insight into Swedish supporter culture. Through its main character Axel we are drawn into a world of dependency, affirmation and violence. Hooliganism is an ever-present phenomenon, reported on daily in the media. We see how a more organized criminality blends in with families with children and ordinary fans. And all the time we ask the question: 'how close is this violence to ourselves?'
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
Past and present collide when a mythical beast is reawakened by a couple exploring a historic castle on the Isle of Man.
We're all searching for something! Explorer Reed Randle goes deep into the woods on an adventure looking for the "Bigfoot" creature. Lost within himself, can he find meaning again?
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
A new coach appears in the team - and after a while the hockey players get the long-awaited success. But the tough methodology of the coach changes the moral climate in the team. Krynin, the captain of the team, stands up to defend the dignity of the players and in a difficult confrontation with the coach wins the victory.
Susanne is called to her boss's office. There she drinks from a cup containing a paralyzing liquid. When Susanne regains consciousness, she has already become a will-less, controllable puppet of the system.
Due to declining orders, the sleazy boss of a company fires employee Christine. Now Sandra has to take over the work of her former colleague and is therefore busy until late at night. Worn out, she witnesses eerie happenings in the office.
In a small city in the north, the time of midsummer is very short. Two boys get to know each other by chance and agree to meet by a lake. But one of them doesn’t keep the agreement, and it begins to rain heavily.
