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A German woman named Jasmin stumbles upon a dilapidated motel/diner in the middle of nowhere. Her unusual appearance and demeanor are at first suspicious to Brenda, the exasperated owner who has difficulty making ends meet. But when an unlikely magic sparks between the two women, this lonely desert outpost is transformed into a thriving and popular oasis.
An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.
Adam Ray crosses every line possible with the crowd at The Get Down in Portland, Oregon.
Pour cette nouvelle aventure, Jamel a invité des artistes, à participer à plus d’une douzaine de courts-métrages originaux créés par lui-même et son équipe. Au programme des parodies désopilantes (Low School Musical, Les Experts Ouarzazate, Les Smashin’ Pump Spin’s…), des sketches hilarants (L’interview de la Chaussure de Bush, la leçon de Jamel…) et surtout la présence de guest stars tels que Florence Foresti, Audrey Lamy, Stromae, Didier Bourdon, David Pujadas ou Gad Elmaleh.Au final, un voyage humoristique de plus d’1h15, revisitant l’univers du cinéma et de la télévision et tout droit tiré de l’imagination délirante de Jamel.
From a riddle-speaking butterfly, a unicorn learns that she is supposedly the last of her kind, all the others having been herded away by the Red Bull. The unicorn sets out to discover the truth behind the butterfly's words. She is eventually joined on her quest by Schmendrick, a second-rate magician, and Molly Grue, a now middle-aged woman who dreamed all her life of seeing a unicorn. Their journey leads them far from home, all the way to the castle of King Haggard.
Filmed at the Piff the Magic Dragon Theatre at the Flamingo Casino and on location in and around Las Vegas, this is Piff's debut hour starring Mr Piffles, Jade Simone, Francis the Squire and Penn Jillette as Pop the Magic Dragon.
Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.
When a law school dropout answers an advertisement to be a personal assistant he unknowingly signs on to work for a belligerent has-been magician struggling to resurrect his career. This leads to a journey across the country staging the comeback of a lifetime.
Jim Gaffigan provides the skinny on everything from appetite suppressants to raising teenagers.
Through outrageous, never-before-seen footage, witness the making of the Jackass crew's last go at wild stunts.
L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
The Jackass crew, along with some newcomers, returns for one final round of hilarious, absurd, and dangerous stunts.
When Snoopy turns Charlie Brown invisible in a magic act, he has trouble changing him back.
A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.
Quebecois comedy star Martin Matte serves up embarrassing personal stories, a solution for social media trolls and more in this unpredictable special.
France's darling comedian came back in force on the boards in the fall of 2009 with this hour and a half show, inspired by her experience of motherhood and her daily life as a young mother .
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