Two ghosts walk along the Camino of Santiago.
Social & External
The people behind it
Pau Nubiola
Ghost
Santí Serra
Ghost Rider (voice)
Pavel Lukiyanov
Voice Ghost
Yuri Mykhaylychenko
Voz Fantasma 2 (voice)
Rosanna Walls
El Fantasma de los 80
Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
White people live in white houses, wear white clothes, eat yogurt and drink milk. They raise white sheep and white mice; when snow falls, they arrange a festival.
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts. Earlier images reappear in later sections as background to new performances, with the accelerated pacing of the clips mirroring the rhythm and energy of the soundtrack.
Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.
A psychiatrist and his patient discuss their relationship in a snow-covered field.
No one seemed to care about Jamie Marks until after his death. Hoping to find the love and friendship he never had in life, Jamie’s ghost visits former classmate Adam McCormick, drawing him into the bleak world between the living and the dead.
Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.
As the earth closes its final chapter, two women are forced to reconcile with their emotional identities.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Wax and wane until there is naught but boring pain.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
No overview available though this involves ghosts.
"In medical terminology, absence of genitalia in females is referred to as "gynatresia". In other words, an extreme defect that goes beyond a mere illness" Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.
A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970s Britain.
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
Ghost is an ideological musician and leader of a jazz band who would rather play his blues in the park to the birds than compromise himself. His peripatetic performances lead him to cross paths with a singer, while his masculinity is thrown into question following a violent brawl.
A young man with a bright future suffers a near-fatal accident and recreates his new life with the help of an unlikely animal friend.
Gentle and broken, a homeless man fights others on video for money but soon finds comfort in an unlikely friend and the lost diary of a young girl.
An unlikely friendship evolves over one wild night in LA between a struggling journalist and actor Hervé Villechaize, the world's most famous gun-toting dwarf, resulting in life-changing consequences for both.
The true story of 20-year-old Colleen Stan, a hitchhiking woman abducted by a young couple and held captive for seven years, during which time she's tortured and forced to live as a slave to her captors.
The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
In Depression-era New England, a miserly businessman named Benedict Slade receives a long-overdue attitude adjustment one Christmas Eve when he is visited by three ghostly figures who resemble three of the people whose possessions Slade had seized to collect on unpaid loans. Assuming the roles of the Ghosts of Christmas Past, Present, and Future from Charles Dickens' classic story, the three apparitions force Slade to face the consequences of his skinflint ways, and he becomes a caring, generous, amiable man.
The story of a young writer's transformation when her past invades her present.
When a teenaged girl moves to England, with her brothers and parents into the ancient Canterville Hall, she's not at all happy. Especially as there's a ghost and a mysterious re-appearing bloodstain on the hearth. She campaigns to go back home, and her dad, believing the ghost's pranks are Ginny's, is ready to send her back. But then Ginny actually meets the elusive 17th-century Sir Simon de Canterville (not to mention the cute teenaged duke next door), and she sets her hand to the task of freeing Sir Simon from his curse.
A dramatization of the life of Earl 'The Goat' Manigault (Don Cheadle), with a lot of factual based occurrences. A reformed junkie returns from prison to clean up his act and devote the rest of his life to the young kids of Harlem. 1996 was the 25th anniversary of the first tournament named after him.
A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.
Years after her son's suicide, a woman longs to confront both the past and a friend of his who took his business idea.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
A man involved in a horrific car crash is pronounced dead, only to come back to life an hour and a half later, claiming to have seen Heaven.
