Cassini's Grand Finale

To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.

Hollywood - The Second Step

This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.

Shark Land: Welcome to Cocos Island

“Entourage” star Adrian Grenier ventures to Cocos Island off the shore of Costa Rica to bring attention to the plight of endangered sharks who are being threatened by poachers and ocean pollution.

Ancestors

Ancestors is a film about spiritual forefathers and mothers in a purely fanciful sense. These are classical figures, anatomical figures, fairy tale figures and romantic figures all thrown in together - all my creative root-sources, in a kind of playful tribute. Like part 2 of Duo Concertantes, it's a moving single picture, now doubled.

Little Russia

The story he has been told by his grandfather was about people's dream to go out of their small town to Russia. For them, the greatest pleasure on the earth was taking a prostitute.

Drawn Closer

The school play is in trouble and these scrappy theatre kids are determined to save it.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

La Belle Époque de Michel Ocelot

La quemada

12 years later, a failed school short film is resignified to share the multiple experiences that exist in the creation of a film.

In the Box

A character is inside a cubical room; there is a hole in the roof, which is too high to reach. But pushing on the walls distorts the room in various ways, always appearing to bring the hole closer while still leaving it tantalizingly inaccessible.

The Presence

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

The Presence III

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Puppy!: A Hotel Transylvania Short

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

Gente de mesón

Under the Cloud

An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.

En Rang Par Deux

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

Dear Chantal

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Headdress

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Anxious Body

When living things, artificial things, geometry shapes, and lines encounter, a new direction is born.