Combined cel/cutout animation exploring the relationship between two tiny characters living at the bottom of a giant film frame.
Social & External
MUTE is an animated short about a world populated by people born without mouths.
A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.
We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.
Lawrence Jordan used forty-six engraved Gustave Doré illustrations from "Idylls of the King" as settings for his extravagantly romantic saga. As Enid, the protagonist, is seen in a vast array of scenes from deep forests to castle keeps. Her champion is sometimes with her, sometimes away fighting archetypal foes. Backed by Mahler, Jordan explores themes of love, death and resurrection.
A prodigious animated short film created using sketches scribbled on sheets of paper scattered around a room, which the author folds and unfolds as the story unfolds.
Phineas and Ferb team up with the Avengers to save the world from Dr. Doofenshmirtz and a group of dangerous supervillains.
Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.
Father, son, the lighthouse as the center of their lives. Both grow up, the son leaving every day to pursue his studies, then returning to an increasingly elderly father who welcomes him with the same warmth, taking him, as he has always done over the years, to the piano to play together.
A hunt for a lost sheep turns into a competition between Hiccup and friends as they compete to become the first Dragon Racing champion of Berk.
The werewolves that live in this secluded place are particularly savage: when not attacking anything that moves, they spend their time arguing and fighting. Driven by instinct, one young werewolf chases pink flamingos through the wild, straying far from home. Before he knows it, he’s in a place he knows nothing about: the world of humans.
Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
An elderly woman naps and has seven erotic dreams. Each dream sounds the same. "Dreamers" are Craig Bartlett, Alison Snowden and David Fine, Janet Perlman, Sara Petty, Stoyan Dukov, Paul Driessen and Marv Newland. Directed by Marv Newland.
Inspired by the isolated beauty of tropical islands and the explosive allure of ocean volcanoes, Lava is a musical love story that takes place over millions of years.
Two insects fight over the hand of a beautiful lady.
Red's peaceful morning routine is interrupted by a pesky visitor.
A boy and his ghost friend go to see a movie.
A vintage nature film exploring the migratory pattern of a herd of wild creatures.
Hare carries bag of apples for 4 sonnies and lovely daughter. But along the way he gives all apples to forest dwellers leaving his children hungry.
A young piglet in trouble.
Minnie Mouse knits a sweater for Pluto. When she puts it on him, Pluto does whatever he can to try to get it off, eventually shrinking it to the perfect size for Figaro.
Monty Citymouse invites his cousin Abner Countrymouse for a visit and shows him the ways of the big city, including traps, eating quietly, and busy traffic.
Mickey, Goofy & Donald have 10 minutes to fix Pete's car. Or else!
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Mickey and Pluto go hunting for quail. Pluto scares away the first ones they see; Mickey scolds him, then relents. He shows Pluto how to be a pointer, and they set off after another quail, but Mickey accidentally jumps on a bear's nose, and thinks it's Pluto. Meanwhile, Pluto finds the quail and points. The babies climb on board and start picking at his hairs, but Pluto's been told not to move. Mickey finally comes across Pluto, who by now is covered by small animals, and realizes he's being followed by a bear. Mickey tries to reason with the bear, and backs off a cliff, onto Pluto.
Donald needs a log for his fire. Unfortunately, the one he picks is occupied by a couple of chipmunks and their stash of acorns. When he cuts it down, Chip and Dale fall out, but their acorns stay behind, so they work at putting out Donald's fire and retrieving their stash. Donald, of course, takes this as calmly and cheerfully as you would expect.
Tom is shipwrecked on an island, which is inhabited by at least one mouse - Jerry. To thwart the hungry cat, Jerry disguises himself as a cannibal.
In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.
Butch convinces Tom and Jerry that there's no reason to fight and they should all sign a peace treaty. Tom and Butch even rescue their pals from a fellow cat and dog. But then a steak falls off a truck and the boys can't decide how to divvy it up, ultimately losing it completely, and the truce is off.
Donald's doing a little tree surgery when he spots Chip 'n' Dale gathering nuts. He saws off the branch outside their hole and paints it with tar, which Dale gets stuck in. Then Donald has a little fun with the long-handled pruning shears.
As Tom and Jerry stage their typical fight sequences, the patriotic soldier theme of the title is evidenced by such things as a carton of eggs labeled "Hen Grenades"; Jerry dropping light bulbs from an airplane like bombs; and Jerry sending a telegram with the message "Sighted Cat - Sank Same." Musical phrasings from various patriotic war songs are heard throughout. The cut scene after Jerry hitting Tom with the board 4 times was cut from the 1950 reissue print for a war bond joke, and the original footage is currently considered "lost" due to the negatives destroyed in the 1978 George Eastman House fire.
When Margo, Agnes and Edith return from Badger Scout camp, three of the Minions are entranced by the girls' merit badges. Their own attempt at scout camp results in attracting a bear, eating poison berries and eventually blowing up a dam, creating a massive flood. But, when they arrive back home, the girls share their badges, encouraging the rest of the Minions to try their hand at scouting.
Pluto and Pluto Junior are enjoying a lazy afternoon snooze when the playful pup tangles with a ball, a balloon, a worm, a bird, and a clothesline. Pluto rescues his son from a precarious situation, gets hung up in the process, but manages to land with a splash.
Even though Mickey's evening started slow and lazy, things get moving in a hurry when Minnie calls from outside the big dance, wondering why he's late. Luckily his best pal Pluto is happy to help wrangle the uncooperative evening wear and help get him out the door...without the tickets
Minnie Mouse has to choose between two dance partners, as clumsy Mickey competes with the more experienced Pete for the pleasure of her company.
Mickey is preparing to conduct an opera when he chases Pluto away. Pluto crashes into a magician's props backstage and spars with the hat, its rabbits, and its doves. The opera begins: Clarabelle plays flute, Clara and Donald are the leads in Romeo and Juliet. Pluto follows the magic hat onstage, to Mickey's growing annoyance. The hat falls into a tuba, and soon the animals are filling the stage.
A narrator sings the opening stanzas of the classic poem while we see the house at rest. Santa lands on the roof, comes down the chimney, and opens his bag. The toys march out and decorate the tree, with the toy soldiers shooting balls from their cannon, a toy airplane stringing a garland like skywriting, and the toy firemen applying snow. A blimp delivers the star to the top. Meanwhile, Santa fills the stockings. His laughter awakens the children, who sneak out. The toys rush to their places, and Santa escapes up the chimney just in time.
In an attempt to convince Minnie that he hasn't forgotten to buy her an anniversary present, Mickey Mouse ends up promising to take her to Hawaii. Funds being short, he applies for a job as lab assistant to the sinister Dr. Frankenollie, who happens to be searching for a donor to provide his monstrous creation with a brain.