THE BALL, a comedy directed by Claudio Antonini starring Laura Morante about a "liscio" singer who wants to try a new style of music.
Social & External
Monica
Giuliano
Fidanzato
Unknown Role
Enrico
Giovanni
Raul
Roberto
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The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.
This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...
Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.
Two American G.I.s visiting Tokyo find themselves mixed up with espionage, a pretty flight attendant, a mad scientist, geisha girls, and a goofy magician-hypnotist and his white rabbits.
Two couples find love and comfort in London. A reserved, but lonely aging American female college professor meats a self-confident, married, but disillusioned aging American and aging English actress meats a young lively American.
U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has discovered an old Indian site that contains gold relics, and a gang has robbed him of the relics he was carrying. Jane Condon, daughter of Hinkley's partner who was also murdered, tells Nevada that an old Indian guide, Shag, is the only one who knows where the site is. The outlaws find Shag first, and kill him after forcing the information from him. Hinkley's son, Joel, arrives and knows where the site is and leads Nevada and Sandy there ahead of the outlaws.
The plot revolves around a down-on-her-luck woman named Mary whose lack of references makes it impossible for her to gain employment. When a friend falls ill, Mary impersonates her in order to take a job as secretary to an elderly socialite. Things immediately start going downhill when she is tasked to introduce a ne'er-do-well nephew to high society—but ends up bailing him out of a string of scandals instead.
Unfortunately, racism is still alive, but Matthew Jenkins has a few ways around it: naming your kid “Case Dismissed;” going to the state penitentiary for a degree, and reversing Simba’s fatherless childhood.
Julius, the boss of Alice's chicken farm, has to find a way to deliver 5000 eggs to Sinkem and Soakem when the hens go on strike.
A man in crisis just doesn’t know how to fix things with his conscience.
Joshua Kennedy IS Sherlock Holmes in this tribute to Sir Arthur Conan Doyle's legendary sleuth! The Return of Sherlock Holmes adapts "The Empty House" and "The Six Napoleons," two of Doyle's most famous stories.
Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Sabit Kanca's landlord, Uncle Rıfat, wants to marry Rencide Posuk, whom he saw on television. However, Rencide does not like Uncle Rıfat when they first meet. It is up to Kanca to reconcile them, and he is forced to do so because of his accumulated rent debts. While Kanca is trying to resolve the situation, Turabi, the ex-boyfriend of Rencide's daughter Zeliş, also gets involved. When Turabi kidnaps Rencide to marry Zeliş, whom he is obsessively in love with, the situation escalates. Of course, it is Sabit Kanca's responsibility to resolve the situation.