Social & External
Self
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
Donald Trump's daughter Ivanka has been appointed to an official role within the White House, but what does she believe in and how much political clout does she actually have?
Documentary about the Rembrandt Association. In the 19th century, a lot of Dutch art disappeared abroad, before the Rembrandt Association stood up in 1883 to put a stop to it. Today, 140 years later, the Association still helps determine what art lovers see in Dutch museums. In their crowning year, the Association faces a difficult choice: will they make the largest contribution in their history to the purchase of Rembrandt's De Vaandeldrager? The amount of 175 million needed for the painting is causing discussion. Is this money well spent?
Ruy Mauro Marini was a brazilian sociologist who developed the Marxist Dependancy Theory, to explain the development of latin american nations due their place in the global capitalism. This film, through multiple interviews, gives a short overview of his life and work.
Documentary-filmed events in the Carpatho-Ukraine (aka Ruthenia) during 1939 drive this history of the Ukraine's struggle for independence as a nation.
Money, Media, and Legislation. Using these three means, your livelihood is being subverted and coopted by politicians and their cronies... and it's only getting worse. This documentary gives you a front row seat to the methodically planned and perpetual corruption of our "democracy." It's about time we fought back. Go to peacefulseaproductions.com to learn more and explore our other films and media. Featuring: Shane Hazel Spike Cohen Angela McArdle Gerred Bell Martin Cowen Narrated by Robbie Bernstein Produced & Directed by Jake Green Produced by Nikki Tomlinson Animator: Greg Fisher Composer: Geoffrey Burch Title and Credits Songs by Casey Sabol Additional Music by Jay Denton & ENDURE Studios
For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its political zenith when a hidden-camera video sparked a national scandal and brought it crashing down. The story involves voter fraud, a fake prostitute, and the rise of Breitbart.com.
Gerhard Schröder has always been a polarizing figure. Even on the occasion of the former Chancellor's 80th birthday, Germany continues to grapple with him. The Social Democrat remains steadfast in his friendship with Vladimir Putin, despite Russia's war against Ukraine. Schröder also refuses to relinquish his position at Nord Stream 2 AG. As a result, his entire political legacy is in question. In the documentary, reporter Lucas Stratmann confronts former Chancellor Schröder with the criticism and accompanies him from Hanover to China.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson's thesis is that this wealth in the hands of so few people is a danger to our very way of life.
Poverty, Inc. explores the hidden side of doing good. From disaster relief to TOMs Shoes, from adoptions to agricultural subsidies, Poverty, Inc. follows the butterfly effect of our most well-intentioned efforts and pulls back the curtain on the poverty industrial complex - the multi-billion dollar market of NGOs, multilateral agencies, and for-profit aid contractors. Are we catalyzing development or are we propagating a system in which the poor stay poor while the rich get hipper?
Filomena Lopes recalls the first moments of Angola's independence. A story fictionalised through photographic archives. A personal investigation into the director's own family history.
“What kind of person do you think former President Park Geunhye is?” Sohn Seokhee, a journalist, gives a clear and sharp answer that he “shares the common ideas that people in our country have.” That common idea has led millions to bring candles to the streets, correcting a thread of history that has gone awry, and gather a sense of hope among people. Candlelight Revolution portrays the voices of citizens from various generations, political figures of different parties, and the witnesses of an administration under improper influence. It is a documentary that identifies the genuine structure of politics and society by following how Park entered politics along with government records up until March 10.
The Bang Bang Club were four fearless young photographers who set out to expose the reality of Apartheid in South Africa - a battle that changed a nation but wound up almost destroying them.
A notorious political satirist conceals his identity and poses as a political candidate.
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
