A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
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A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
In early July of 2012, Scofield released, after ten years of record pause of ensemble Uberjam, a new and long-awaited album called Uberjam Deux...
Documentary on the shock rock group "The Mentors".
Guitarist, singer and harmonica player Roky Erickson was one of the pioneers of Psychedelic Rock with his band 13th Floor Elevators in the 1960s. After being diagnosed with a serious case of schizophrenia, Erickson spent years in mental institutions, but continued to make music. As the nineties began - especially among musicians from the alternative rock sector - to form a growing fan base to this day. These include such diverse bands as REM, Okkervil River or Kasabian - a testament to Erickson's great influence on today's rock scene. Since 2008, Erickson is back on stage and brought in 2010 with Okkervil River as a backing band on his album "True Love Cast Out All Evil" out.
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
The musical traditions of the eastern and western worlds are bridged through the improvisations of Bombay, India-born percussionist/vocalist Trilok Gurtu. Gurtu’s mastery of post-bop jazz has not gone unnoticed. Downbeat magazine named him “best percussionist” in three critic and popularity polls and proclaimed, “musically, the world is his stage”. Jazz magazine, Straight No Chaser took a similar view, writing, “this music has a transcendental quality and removes any obstacles that lie between western and eastern improvised music.” Gurtu’s eclectic approach has enabled him to collaborate with most of the world’s greatest musicians. Tracklist 01. Jhuleal 02. Peace of five elements 03. Africa con India 04. Pasana’s Love 05. Dance with my lover 06. God rhythm
The Cramps perform live from NYC's Mudd Club in 1981. Highlights include: "TV Set", "Goo Goo Muck" and "I Was a Teenage Werewolf".
In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.
Kirk Whalum presents this music documentary-cum-live concert performance exploring the impact of jazz on modern retellings of the Gospel. The film includes performances by Kirk Whalum himself along with George Duke, Lalah Hathaway, Doc Powell and Kevin Whalum.
Live at the U.S. Festival, ’82 and ’83, a DVD featuring both years’ concerts in their entirety, compiling the best performances from each year. It stands as a fine tribute to a legendary ’80s/ska band and the only representation of their fantastic live show.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Kirk Whalum curates this exciting collection of musicians, coming together to perform THE GOSPELACCORDING TO JAZZ. The artists include Kim Burrell, Jonathan Butler, Georke Duke, Paul Jackson Jr. and Tata Vega, all neatly complementing Whalum's forays into jazz, blues and gospel.
Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
Documentary about the Chicago jazz scene.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
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