"A meditative stillness experience."
A woman returning home after having a sour day decides to sleep.
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The Woman
An isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.
This independent film follows the actions and inner thoughts of four unusual individuals as they go about their lives in Tokyo, occasionally meeting up with one another. Their thoughts tend to focus on questions of death, existence, and the conflict of society against the individual. All of the action is performed silently, with narration dubbed over.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A record in moving images of a timeless dimension, the tragedy takes place in a dark void where the voiceless ones enact their drama in a theatre of infatuation, power and vengeance. The force of the roar reverberates as insanity erupts from total stillness, free of dialogue. An atmosphere of total darkness envelops every single particle and atom, external and internal, in dreams and in the heart. This film is adapted from the Thai folk tale of Gagee, a maiden so enchanting and fragrant as a flower, so irresistible that all who gaze upon her fall under her spell. They vie with each other to possess her, leading to war. This ancient legend has been reimagined and retold by new characters as a silent, surreal movie.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
Clara, a widow in the twilight of her life, spends her days lonely. She invites someone dear to her to share a barbecue together. However, his delay will undo her plans, and her ritual around the preparation will unstabilize itself.
Beyond all human restraint lies one's lugubrious layers of paint.
A grieving young inventor finds solace in repairing an antique typewriter.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
A man obsessed with motivational and right wing culture war videos goes on a hollow road trip of discovery.
A personal, subjective journey into the mind of Greta Thunberg, before realizing her calling as a climate activist. While struggling with mental health issues and bullying because of her Aspergers, she also grapples with the sense of impending doom due to the climate crisis. These same struggles and fears drive her to make change and become the person she is today.
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In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
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