Social & External
Yvonne Bridge
Robert Morisson
Colette Morisson
Jules Florent
Clara Bouchard
Mélusine
A man
Rabut
Victor Bridge
"Love for Three Oranges" is the first play by Carlo Gozzi (December 13, 1720 - April 4, 1806). He wrote it in 1761. The play is based on a parody of the fairy tale "Love Against Three Oranges". It was originally written as canovaccio (the explanation of the content on which commedia dell'arte actors improvise the text), but later Gozzi also added some dialogue instructions and critical explanations.
Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.
At sixty, Bernard Hubert has finally settled down and lives perfect love with Juliette, who is more than twenty years younger than him when they see landed, Thomas, an attractive thirty-something who claims, DNA test in support that he is Bernard's son. Problem: Bernard Hubert claims that he is sterile! Another problem: Juliette doesn't seem insensitive to the boy's charm. Would Bernard have opened the door to his son or his rival?
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
Vatelin and his wife Lucienne love tender love. Rédillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?
Isabela, a retired woman, floods her drug-addicted neighbor's apartment with her washing machine. A repairman must be called. The handyman arrives at the apartment, which does not look like the home of a lonely senior citizen, but rather like a clinic for deranged individuals... Isabella's neighbor is unable to fulfill his late wife's last wish, the flooded junkie hates pensioners, refugees, and the government, and Isabella is visited by her offended husband, who has been dead for years and complicates her life and the repair of the washing machine... During this bizarre visit, the illusion of one happy marriage falls apart, one old misunderstanding is cleared up, and several others arise. The second half features the short film Barcarole, also produced by Divadlo Verze.
We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.
Jan Werich and Miroslav Horníček in the legendary play of the Liberated Theatre.
A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.
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