Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Social & External
Himself
Herself
Italian immigrant kidnaps a wealthy British woman, and they fall in love.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A young man in search of a place to live, finds a beautiful apartment that he will have to share with someone who is not the person he was waiting for.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Francisco Morázan has been in Costa Rica for five months where he has been appointed Provisional Chief of State. It has called for elections to install a National Constituent Assembly, which should be a legal structure to the Costa Rican state. The Assembly has decreed the validity of the constitution of 1825, the same as that of the Central American Federation; It has declared the accession of Costa Rica to the Republic of Central America. Two months later Francisco Morazán is shot one afternoon on September 15, 1842.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
An experimental film that lifts the veil on the world of African American drag racing.
Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.
Cooper is given a decision that could help him finally make a difference or get him killed.
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.
Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
A man contemplates whether or not it is possible to do something unique.