At night, a young thief boldly breaks into an empty office, but his petty theft goes unexpectedly wrong.
Social & External
Thief
Man
Girl #1
Girl #2
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.
It's 1975, and John Dykstra, a lowly college professor, with not much confidence but a semi-successful author, is on his way home from his monthly meet up group with fellow authors, when he decides to pull off to the nearest rest stop. What he encounters there is an unnerving domestic assault, that will force him to embrace his alter ego, Rick Hardin, the hitman in his novels, and finally decide what kind of man he wants to be.
Fletcher tells his psychiatrist how he was mistakenly held captive by a mysterious secret service. This secret service is said to have tried to manipulate him in an elaborate power game to break his spirit. Fletcher's psychiatrist is suspicious of the story and tries to help Fletcher stay sane, because the truth is even more frightening.
A Japanese family is confronted with the mother's disease. The profoundly symbolistic images of this short film show us how Yù and his father perceive the possibility of the death and how it affectsa young boy and his vision of life.
This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.
It was the first film version of the Hunchback of Notre Dame.
The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.
Four friends trapped on a boat, drift through a series of terrifying encounters.
Two teen boys meet each other in Copenhagen and team up to find one of the boys' mother. Instead they end up finding themselves - and each other.
A masked intruder strikes during a midnight swim on Halloween reminding Molly that the shadows of the past can be deadly.
The Supporter is a short film that provides an insight into Swedish supporter culture. Through its main character Axel we are drawn into a world of dependency, affirmation and violence. Hooliganism is an ever-present phenomenon, reported on daily in the media. We see how a more organized criminality blends in with families with children and ordinary fans. And all the time we ask the question: 'how close is this violence to ourselves?'
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
Based on the Helen Hunt Jackson novel of 1884 about a young woman of partial Native American descent, who experiences love and loss in 1800s California.
We're all searching for something! Explorer Reed Randle goes deep into the woods on an adventure looking for the "Bigfoot" creature. Lost within himself, can he find meaning again?
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
The young Anselmus Aselmeyer fulfilled a long cherished dream: He travels to Venice, the city of his dreams. Once there, the porter Pipistrello directs him immediately to the hotel of his boss, and Anselmus lands in the middle of a wedding party. Mestre Mangiabene, a wealthy oilman, marries the beautiful but completely depleted Marchesina dei Bisognosi. But the secretly loves an officer.