A short 1978 documentary based on the experiences of breastfeeding mothers.
Social & External
In the third and final installment of Not Alone, a persistent mother tries to convince the principal of a prestigious middle school to admit her daughter, but his elitism and reluctance to engage with her goes beyond what might be expected. As the conversation grows increasingly uncomfortable, the mother is forced to confront a horrifying truth. Desperation becomes grief, and her "daughter" has become something else entirely.
On an isolated desert planet, a man who is looking for parts to repair his robotic companion teams up with a young woman searching for an imaginary lake.
After a night out of partying and left behind by her friends, Ava wakes up and sneaks back home only to find that she's already safe in bed. But that's not Ava - it's someone who looks just like her. A time-traveling fugitive has stolen Ava's body, her identity, and her life. What's more -- she's not alone. There are others, hiding in the past, secretly living among us, plotting to alter the future. Without her body, Ava is a virtual ghost, silent and invisible to the world. And, so far as she knows, she's the only one who can stop them and put the timeline back on course.
Young engineer Doru is called to the Prosecutor's Office and questioned on his wife's unlawful ways of making money. Soon he'll learn about her true character and he'll regret having broken up with Livia, a woman who truly loved him.
A woman hunts for fossils and makes a big discovery. But she doesn't get credit again.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
A young mother awakens in a mysterious cell and is forced to harness her telekinetic abilities in order to escape and save her daughter.
Forced to return to his naturist roots, Willy bungles his way into noble savagery.
A story about talented homeless and formerly homeless fine arts painters in the worst section of Los Angeles known as Skid Row. People will create art no matter how humble the circumstances.
Flawed is nothing less than a beautiful gift from Andrea Dorfman's vivid imagination, a charming little film about very big ideas. Dorfman has the uncanny ability to transform the intensely personal into the wisely universal. She deftly traces her encounter with a potential romantic partner, questioning her attraction and the uneasy possibility of love. But, ultimately, Flawed is less about whether girl can get along with boy than whether girl can accept herself, imperfections and all. This film is both an exquisite tribute to the art of animation and a loving homage to storyboarding, a time-honoured way of rendering scenes while pointing the way to the dramatic arc of the tale. (NFB)
An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.
Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.
In a hotel room, a man is waiting for a mysterious woman, with whom he would watch the sunset. However, as he is stood up, the sun never goes down, scorching the earth day after day.
When her husband leaves for a night shift, a woman battles physical manifestations of her repressed fears and desires.
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
Following the death of her two children, Isadora Duncan created the solo Mother in which a mother cradles her child in a moment of extreme tenderness, then lets it go. A century later, four women encounter this heart-rending dance.
Harry Berzins is abducted by aliens. Traumatic experience gained is on a foreign planet, where the gray race rules and makes Berzins feel excluded. The only creature he believes is the odd Ufologist Vilma Kavace. While Vilma uses Berzins as an alien attraction bait, his mother, impregnated with a Latvian sperm on another planet, carries his child. Shieet.
An "un-biopic" of the young Hilary Rodham set in 1969, during the unverifiable weeks her autobiography has her working at an Alaskan salmon cannery. A parable about America, political narratives, and the absence of free will.
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.