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La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. This revolutionary work is also popular among the Chinese, especially those who lived through the Cultural Revolution, and have fond memories of revolutionary antics.
The operatic version of the famous story about a governess who fears her two charges are possessed.
Strauss's opera adapted to the screen by Gotz Friedrich.
Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.
The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.
This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!
Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.
There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.
This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.
Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.
Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.
The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.
A colorful and comedic staging of the classic opera buffa by the Vienna State Opera.
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)
Join multi-platinum band Fall Out Boy as they travel back to their hometown of Chicago for a mind-blowing audio-visual extravaganza. Featuring their newest hits Centuries, Irresistible, and Uma Thurman, this 17 song concert also includes the band's best loved songs from across their whole career. This special performance is one of the most memorable Fall Out Boy concerts ever, filmed during the Boys of Zummer tour that hit 39 North American cities throughout 2015. Great musicianship, powerful songs and stunning visuals all make for an exceptional concert experience!
It's a beautiful day in Slottsskogen, Gothenburg idyllic city park, when suddenly the unthinkable happens - gunfire amidst all people. Two gangsters shooting game against each other and a large police operation starts. The conflict grows rapidly to involve several gangs from Gothenburg underworld. GSI switched to try to identify a new thread which proves to be both larger and better armed than any other. The only clue is a tattoo on one of the killed gang members.
A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.
In this stop-motion animated comedy, a young couple's romantic weekend getaway is interrupted by a birth control mishap.
Prior to the HISTory World Tour, Jackson performed a free concert at the Jerudong Park Amphitheatre in Bandar Seri Begawan, Brunei on 16 July 1996, attended by 60,000 throughout the park. The concert was in celebration of the fiftieth birthday of Hassanal Bolkiah, the Sultan of Brunei and was attended by the Brunei royal family. Much of the concert resembled Jackson's Dangerous World Tour, including his outfit, stage, and the setlist, keeping the details of the upcoming HIStory Tour a close secret. This concert was not part of the Dangerous World Tour nor the History World Tour. The concert also marked the debut live performance of "You Are Not Alone" and "Earth Song" as well as the last performances of "Jam", "Human Nature", "I Just Can't Stop Loving You" and "She's Out of My Life" at a Jackson concert. This concert was also among the last performances of "Billie Jean" and "Beat It" being sung fully live; most subsequent performances have been partially lip-synched.
A short documentary drama exploring motherhood and bringing up children with autism spectrum disorder.
Celtic Thunder presents Take Me Home, an all new show, as seen on PBS. The DVD with a running time of almost 2 hours long features 13 new Celtic Thunder performances! After the smash success of the first Celtic Thunder production in 2008, producers Sharon Browne and Phil Coulter have developed an all-new Irish-music showcase. The sharply dressed male vocalists who starred in the first show have returned, and each performer gets a chance to show off his pop sensibility. The energetic set includes traditional Celtic tunes as well as rock covers and original compositions by Coulter.
Frank and his longtime group of friends traverse a Saturday night of confronting their own fleeting adolescence as the world around them changes and Frank watches his little sister grow up before his eyes at her senior prom.
Three friends who live in Resende, in the interior of Rio de Janeiro, and plan a trip in Babette's Beetle convertible to celebrate their 15 years of friendship and attend the closing show of the tour of a great pop star, who studied with them as a teenager. and today he is the most famous young singer in Brazil.
A couple of Sunday school teachers invite Chinese laundry workers to their session. In return the Chinese invite them to an opium den, where the devout schoolmarms quickly abandon their morals!
The mysterious man in black returns, and this time Ghost Rider is going Back to Basics with some of the most extreme high-speed action ever seen. The latest installment of the adrenaline-packed Ghost Rider series features incredible on-board footage from the highways of Sweden and busy streets of Stockholm. Join Ghost Rider as he weaves through traffic, rides the Nurburgring, "off-roads" in a city center, goes sledging without snow and comes within seconds of disaster during unexpected encounters with a police van and a huge lorry! Ghost Rider swaps two wheels for four as he burns rubber in a high performance Subaru, showing he has skill and style whatever the machine. All the way the Swedish police are on his tail, the pursuits captured from incredible on-board camera angles and shown in split screen - so you can see what's ahead as you leave the pursuers behind. Plus, Ghost Rider finally agrees to take on a street race, with his bike at stake as well as his pride.
Maria murders her husband and then tries to claim the life she hasn't experienced up to this point.
A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"
CJ, a closeted teenager, has created a fake 90s reality to escape reality and with the help of his best friend Jen he learns that it isn't always a good thing to live in a dream
Silence is the most beautiful thing that exists in the universe. When an astronaut ponders the quietude of space, he makes a startling self-realisation.