Fear

In Fear, documentary filmmaker Michiel van Erp creates a collage of inhabitants of the city of Amsterdam who struggle with various anxiety disorders. Today, more patients with anxiety disorders seek professional help than those who suffer from depression, making anxiety the number one mental illness in the Netherlands. This film will show how a small number of those patients attempt to overcome their fears, in order to get on with their lives in the crowded cosmopolitan city that Amsterdam is today.

The Other Side of Fear

The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.

20 Seconds of Joy

Traces the story of an extreme athlete, past and present; but also explores the psychology behind life, death, risk and the confrontation of fear.

Kitten of vluchteling?

The Metaphor That Became a Room

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

Britain's Weirdest Phobias

The lives of people plagued by irrational fears and the journeys they take in the battle to overcome them. Therapist David Allison helps sufferers come to terms with their condition.

The Lie Detector

In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.

In, out and about

An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.

Bitter Lake

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

Love Costs Everything

Love Costs Everything maps the history of Christian persecution from the first Christian martyrs to seven present-day stories of faith that knows no price. In the face of persecution, these followers of Christ fear compromise more than death itself. Filmed in Iraq, Columbia, India, Egypt, France and the United States, this feature-length documentary includes commentary from United States Congressmen, foreign government officials, religious leaders and scholars.

Becoming Sons & Daughters

Every major social problem that plagues our nation today can be traced back to one root cause: Fatherlessness. For instance, 71% of pregnant teenagers live in a fatherless home. Additionally, 85% of young men in prison grew up without a dad. They are not stats, they are desperate for stability. From small town American to the heart of New York City, 'Becoming Sons & Daughters' tells the stories of people who are stepping into the lives of fatherless kids. Through adoption, mentoring, and simply paying attention, these men and women are planting hope and security. They are giving kids a future and helping them become sons and daughters.

End of the World

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

We're All Going to Die

Ben is worried. Overwhelmed by the world's encroaching crises, he travels from Brandenburg to London to Kansas to the Yucatan peninsula and many places in between, to find out how to cope with social and ecological collapse.

Beyond Citizen Kane

Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections. Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.

Black Indians: An American Story

James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.

Stockholms negrer

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

La Meilleure Façon de tracer

Black Thoughts

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

The Ugly Face of Disability Hate Crime

Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.

United States of Hate: Muslims Under Attack

BBC Three examines an upsurge in Islamophobia in America, meeting both Texan anti-Islam groups and American Muslims. Award-winning director and producer Steph Atkinson asks how America got here and whether the fears between these different groups are justified.