Razing the Bar: A Documentary About the Funhouse

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

Raw Punk: Volume 1

Live perfomances and interviews from the post-punk era.

The Mentors: Kings of Sleaze Rockumentary

Documentary on the shock rock group "The Mentors".

160 meters: A Story Of Rock In Biscay

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

City of Splendour

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

Outlawed: A Punk Rock Uprising in the Basque Country

A sonic journey through Basque punk rock and the turbulent past that defined its sound, chronicling the rise of the gaztetxe movement.

Green Day: The Early Years

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Chris Packham: Forever Punk

Chris Packham reveals how punk rock not only may have saved his life as a teenager but how it has given it meaning and informed everything he has done ever since.

I Don't Believe in Anarchy

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

Two Sevens Clash: Dread Meets Punk Rockers

Documentary about reggae music and culture in London in 1977. Filmed in Super 8 camera by Don Letts. With participation of Richard Branson, Neneh Cherry, Paul Cook, Sly Dunbar, Paul Weller, John Lydon, Joe Strummer, Siouxsie Sioux, Lee ‘Scratch’ Perry and others. Released in 2017.

Who Killed Nancy?

On October 12th, 1978, New York Police discovered the lifeless body of a young woman, slumped under the bathroom sink in a hotel room. She was Nancy Spungen, an ex-prostitute, sometimes stripper, heroin addict, and girlfriend of Sex Pistols' bassist Sid Vicious.

Sin Tu Permiso: Nosotras en la escena Hardcore y Punk Estatal

The Rezillos Documentary

Two brothers reflect on their chaotic journey to stardom, as part of the legendary punk rock bands The Rezillos & The Revillos. Navigating friendships, fame, and fallouts.

Danzig: Home Video

Featuring songs from their debut album DANZIG: "Twist of Cain" and the controversial uncut versions of "Am I Demon", "She Rides" and "Mother". Plus interviews and behind-the-scenes footage. Highlights include: Glenn revealing his songwriting process, reading Wolverine comics, discussing his book collection, chugging a box of Milk Duds before an encore, and Eerie Von being a badass.

MxPx - How to Build a Secret Weapon

Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."

OstPunk! Too much Future

Tells the story of punk in the GDR.

The Go-Go's

As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon.

Green Day: Dookie

A documentary that explores the making and impact of Green Day's third album Dookie, which was released in 1994 and became a worldwide phenomenon.

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

The Great Rock 'n' Roll Swindle

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."