Social & External
Maruxa
Pablo
Rosa (as Mary Francis)
Antonio
Rufo
Maruxa (singing voice)
Pablo (singing voice)
Rosa (singing voice)
Antonio (singing voice)
Rufo (singing voice)
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice. The young bohemian musician does not know Cosette, but hears her sing daily. Instead, she's in love with Roberto and follows his steps as a composer.
Considered the greatest musical success of Pablo Luna's career, this operetta was released at the end of 1923 in El Teatro de la Zarzuela. Many consider it the best of his compositions, bolstered by an inspired and amusing libretto. After its premiere, it went on to be produced in Cuba, Mexico and continued its life cycle on stage until the 1950s.
In Murcia, a southern province of Spain rich in fruits and vegetables parcels, a girl and a boy are in love but he is so shy that she accepts a rich competitor proposal. From the zarzuela of the same name.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
Ricla, a village in Aragon, Spain, 1898. The imminent wedding between Jesús and Pilar, two young lovers, is frustrated when he is drafted to go to the war in Cuba.
In Madrid, Spain, an omniscient narrator transforms Mari Loli and Merche, two beautiful sales clerks, into Susana and Casta, who flirt with Don Hilarión, an old apothecary, which arouses the jealousy of Julián, who is in love with Susana.
A young printer's relationship with his girlfriend is in trouble after she accepts another suitor's invitation to the fair. This adaption of a popular operetta aims to please with a simple storyline and goofy slapstick.
The wise men of the kingdom interpret a dream of Pharaoh and decide that Putifar, a victorious general, should marry Lota, a virginal slave.
The beautiful Francisquita is in love with Fernando, a student who aspires to become a poet; but he is infatuated with the very fiery actress Aurora la Beltrana, who is Lorenzo's lover.
In a Cordovan farmhouse, Soledad arouses a passion in two men, which will be cause of misfortune for both when the boyfriend of the protagonist in a jealous attack kills the rival in his presence.
In Madrid, Spain, Susana's flirtations with the old apothecary Don Hilarión arouse the jealousy of Julián, Susana's boyfriend.
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
A college professor travels to New York City to attend a conference and finds a young couple living in his apartment.
A wannabe rock star who fronts a Pennsylvania-based tribute band is devastated when his bandmates kick him out of the group he founded. Things begin to look up for Izzy when he is asked to join Steel Dragon, the heavy metal rockers he had been imitating for so long. This film is loosely based on the true story of the band Judas Priest.
As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
The plot is based on the creation of a folk dance ensemble in the Palace of culture.
Two down-on-their-luck musicians form a Neil Diamond tribute band to follow their dreams and prove that it's never too late to find love.
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